Foresti was born at Conselice in the Ferrarese. Few American travellers linger in Ferrara. Fresh from the more imposing attractions of Florence or Venice, this ancient Italian city offers little in comparison to detain the eager pilgrim; and yet to one cognizant of its history and alive to imaginative associations, this neglect might increase the charm of a brief sojourn. It is pleasant to explore the less hackneyed stories of history and tradition, to enjoy an isolated scene fraught with grand or tender sentiment, to turn aside from the trampled highway and the crowded resort, to listen to some plaintive whisper from the Past amid the deserted memorials of its glory and grief. Such a place is Ferrara. The broad and regular streets and the massive palaces emphatically declare its former splendor; and its actual decadence is no less manifest in the grass-grown pavement of the one and the crumbling and dreary aspect of the other. It requires no small effort of fancy, as we walk through some deserted by-way, wherein our footsteps echo audibly at noonday, to realize that this was the splendid arena where the House of Este so long held sway, limited in extent, but in its palmy days the centre of a brilliant court, a famous school of pictorial art, the seat of a university whose fame drew scholars from distant Britain, and whose ducal family gave birth to the Brunswick dynasty, whence descended the royalty of England. The city dates its origin from the fifth century, when its marshy site gave refuge from the pursuing Huns, and the ambition of its rulers gradually concentrated around the unpromising domain those elements of ecclesiastical prestige, knightly valor, artistic and literary resources which enriched and signalized the Italian cities of the Middle Ages. Enlightened, though capricious patronage made this halting-place between Bologna and Venice, Padua and Rome, the nucleus of talent, enterprise, and diplomacy, the fruits whereof are permanent. But there are two hallowed associations which in a remarkable degree consecrated Ferrara and endeared her to the memory of later generations: she gave an asylum to the persecuted Christian Reformers, and was the home and haunt of poets. It is this recollection which stays the feet and warms the heart of the transatlantic visitor, as he roams at twilight around the venerable castle "flanked with towers," traces the dim fresco in a church Giotto decorated, reads "Parisina" in Byron's paraphrase near the dungeons where she and her lover were slain, or gazes with mingled curiosity and love on the chirography of St. Chrysostom, the original manuscripts of Tasso, Ariosto, and Guarini, or the inscription of Victor Alfieri in the Studio Publico. It is because Calvin was here sheltered, and Olympia Morata found sympathy and respect,—because the author of "Jerusalem Delivered" here loved, triumphed, and despaired, and the author of the "Orlando Furioso" so assiduously labored for his orphaned family, the exacting Cardinal Ippolito, and the cause of learning, and strung a lyre which has for centuries vibrated in the popular heart and fancy,—because, in a word, Ferrara contains the prison of Tasso, and the home of Ariosto, who called her "città bene avventurosa," as did Tassoni the "gran donna del Po,"—that the desolate old city is revived to the imagination, with its hundred thousand people, its gay courtiers and brave knights, the romance of its feats of minstrelsy and arms whereat noble beauties and immortal bards assisted, and Art, Chivalry, Learning, Church, and State held festival with the Muses to adorn and perpetuate the transient pageant, the loveliness, and the rule,—otherwise since consigned to the monotonous record of vanished pomp and arbitrary sway.

When Napoleon fell, Foresti was a student at the University of Bologna, whence he returned to his native capital, after obtaining the degree of Doctor of Laws. His earliest forensic labors, like those of our young advocates, were in the defence of accused criminals; and, limited as is this sphere, he must have displayed unusual maturity of judgment and natural eloquence, to have received successively the eminent appointments of Provisory Assistant Judge in the Court of Justice of Ferrara, Supplementary Professor of Eloquence and Belles Lettres in the Lyceum, and Judge of the Peace, by virtue of which latter office he crossed the Po to practise at Polesino,—wisely preferring the Austrian to the Papal jurisdiction. In Crespino, in the province of Rovigo, in the Lombardo-Venetian Kingdom, Foresti was made Praetor under the Emperor's warrant. Coincident with this recognition of his judicial knowledge and skill, was a kindred appreciation on the part of his liberal and patriotic countrymen; they beheld in the vigorous and disciplined mind and generous heart of Foresti, in his civic wisdom and courage, the representative and ally they sought in this portion of their beautiful and unhappy land. To disseminate the principles and secure the cooperation of Venice became the special office of the Carbonari leaders of Ferrara, and they had only to reveal the high and holy object they cherished, to one who so well knew the wants and woes of his country as Foresti, to enlist his adventurous sympathy. The delicate and difficult mission, fraught with the dearest prospects of Italy, was nearly consummated, when a treacherous colleague revealed to the accredited agents both of Austria and the Pope the system of this mysterious revolutionary combination in and around Ferrara. The latter shrank from extreme measures, and was content with an oath of retraction; but the Austrian government gave instant orders to the chiefs of police, both there and at Venice, to arrest those whom the perjured Count Villa named as adherents of Carbonarism. The decree was executed with military force; and, without warning, preparation, or even a parting interview with their families and friends, the suspected were hurried off to the Piombi, that Venetian prison so graphically described by Pellico. All correspondence and personal intercourse was denied. Meantime, an ingenious and persevering investigation went on, to ascertain the scope of the enterprise thus summarily baffled, the means proposed, and the individuals implicated. To complicate still further the situation of the victims, in other quarters the flame they had secretly fed burst forth conspicuously; Naples and Piedmont were in arms; and Austria conceived an alarming idea of the national spirit she had partially contravened. The rigor of espionage towards the imprisoned and their friends increased; the prosecution was insidiously prolonged; privation and solitude, vigilance and suspense were made instruments for subduing the resolution and invading the confidence of the captives; they pined in desolation, ignorant of their fate, uninformed of the welfare of those most dear to them, without resources of defence or consolation, except what the strength of individual character yields; physically weakened, morally isolated; sometimes roused from sleep and bewildered with questions; at other times told they were to die, that some companion had confessed, or that some loved one had ceased to exist;—and all these crises of feeling and anxiety, of surprise and despair, induced with a fiendish deliberation, to startle honor into self-betrayal, wring from exhausted Nature what conscious rectitude would not divulge, or agonize human love into inadvertent disloyalty.

At length their fate was decided. Foresti's companion in prison was the son of a judge of Ferrara; and, one November midnight, their conversation was interrupted by the unexpected entrance of the jailer, who bade Foresti follow him. The hour and the manner of the official convinced both him and his comrade that his sacrifice was resolved upon; they embraced, and he left the cell to find himself strictly guarded by six soldiers. This nocturnal procession marched silently through the vast, lonely, and magnificent rooms of the Ducal Palace to the door which leads to the Bridge of Sighs: it was the old road to destruction,—the mysterious process, made familiar by novelists and poets, by which the ancient and sinister republic made more fearful the vengeance of government. As the unfortunate youth passed through a labyrinth of gloomy corridors, he recognized the haunts of the ancient Inquisition; the atmosphere was clogged with damp; moisture dripped from the stones. A dungeon, lighted only by a lamp suspended from the vault, and narrow, humid, and unfurnished, except with a pile of straw and a rude table, proved the dreary goal of their heavy steps. Left to his own reflections, Foresti contemplated his prospects with deliberate anguish; that he had been found guilty was apparent; if the fact of his direct agency in initiating the oath of self-emancipation, the sacred compact of national self-assertion in the Austrian dominions, had transpired, he felt that his prominence as a judicial officer, and the firmness with which he had refused to explain the purposes or betray the associates of this memorable league, made him the most probable victim of extreme measures, should one be chosen from the Carbonari of Ferrara. At that period of his life he entertained the opinion that suicide was justifiable to avoid an ignominious death at the hands of arbitrary power. Believing his fate sealed, he gave a few moments of tender reminiscence to his dead mother and his living father and sisters, to the dreams of his youth, and the patriotic aspirations to which he was about to fall a sacrifice. The jailer returned, bringing a book and a bottle of wine, for which he had asked; a few tears were shed, a prayer for forgiveness breathed, and then he plunged a knife into his breast; the blade broke; he shattered the bottle at his side and swallowed the fragments, and then fell bleeding and exhausted on the straw. If left long alone, life would have ebbed away; but, probably in anticipation of such a catastrophe, the officer ere many hours revisited the cell to put chains upon the prisoner. Discovering his condition, a surgeon was called, remedies were applied, and two Austrian sentinels carried Foresti into the presence of the judge. It was scarcely dawn; the venerable and courteous, but inflexible representative of the Emperor expressed solicitude and sympathy; a secretary and physician, with the guard and their prisoner, confronted each other by the dim light of two candles. Irritated by the conventional politeness of this arbiter of his destiny at such a crisis, having vainly sought death, and bitterly conscious of the long outrages perpetrated under the name of justice, Foresti burst forth into stern invectives, and boldly declared his liberal sentiments, his allegiance to the principles for the sake of which he thus suffered, and his absolute enmity to the usurpers of his country's freedom. The Cavalier Mazzetti treated this overflow of emotion as the ebullition of a youthful mind, romantic and intrepid, but unreasonable; he professed the sincerest pity for so gifted and brave a youth, lamented his delusion, painted in emphatic words his want of gratitude and allegiance, treated his political creed and organization as chimerical, and wound up by informing Foresti that he was condemned to die on the public square of Venice, and that nothing would save him but a complete revelation of the true plan, arrangements, and members of the secret conclave to which he belonged. Threats and blandishments failed to move the prisoner; he was silent, accepted his doom, and was remanded with two allies,—one of whom purchased a remission by treason to his vows. Such was the climax of two dreary years of imprisonment, aggravated by ingenious moral torture.

If the modern history of liberty is written by a comprehensive humanitarian, he will not look exclusively to the battle-field for picturesque and impressive tableaux; in that record most signally will it appear that "the angel of martyrdom is brother to the angel of victory"; and among the memorable scenes which an earnest chronicler will delineate with noble pathos, few can exceed in moral interest that which the Piazza of San Marco, at Venice, presented on Christmas Eve, 1821. There is not a spot in Europe, within the limits of a city, more distinctly remembered by the transatlantic traveller,—the only spacious area of solid ground under the open sky, in that marvellous old city of the sea,—the gay centre of a recreative population, where the costumes and physiognomies of the Orient and the West mingle in dramatic contrast,—the nucleus of historical and romantic associations, singularly domesticated in two hemispheres by the household lore of Shakspeare and Otway, Byron and Rogers, Cooper and Ruskin. The ancient temple of St. Mark, the bronze horses of Lysippus, the arched galleries of the Palace, the waters of the Adriatic, the firmament above, and the stones beneath seem instinct with the fame of commercial grandeur, maritime triumphs, and diplomatic prowess; the cheerful arcades that shade the caffès remind us of the "harmless comedy of life" which Goldoni recorded; the flush of sunset on dome, balcony, and canal seems warm with the peerless tints which Titian here caught and transmitted; the crowd of pleasure-seekers recall the music, love, and chivalry, of which this was once the splendid centre; while the shadow of a dark façadefaçade whispers of the mysterious oligarchy, the anonymous accusers, the secret council, and the venerable Doge;—a more remarkable union of gloom and gayety, of romance and reality, of the beautiful and the tragic, directly suggested by inevitable local associations, cannot be found in the whole range of European travel. Imagine this memorable square, on the afternoon of a great Christmas festival;—fair faces at every window,—the adjacent roofs crowded with spectators,—an Austrian regiment drawn up around a scaffold,—the Viceroy, brother of the Emperor, standing