It was a beautiful, bright, clear day, though the wind was a trifle chilly, and all around her there was a sense of space and light and motion in the shining skies, the far clouds and the heaving and noisy sea. Yet she had none of the gladness of heart with which she used to rush out of the house at Borva to drink in the fresh, salt air and feel the sunlight on her cheeks. She walked away, with her face wistful and pensive, along the King's road, scarcely seeing any of the people who passed her; and the noise of the crowd and of the waves hummed in her ears in a distant fashion, even as she walked along the wooden railing over the beach. She stopped and watched some men putting off a heavy fishing-boat, and she still stood and looked long after the boat was launched. She would not confess to herself that she felt lonely and miserable: it was the sight of the sea that was melancholy. It seemed so different from the sea off Borva, that had always to her a familiar and friendly look, even when it was raging and rushing before a south-west wind. Here this sea looked vast and calm and sad, and the sound of it was not pleasant to her ears, as was the sound of the waves on the rocks at Borva. She walked on, in a blind and unthinking fashion, until she had got far up the Parade, and could see the long line of monotonous white cliff meeting the dull blue plain of the waves until both disappeared in the horizon.

She returned to the King's road a trifle tired, and sat down on one of the benches there. The passing of the people would amuse her; and now the pavement was thronged with a crowd of gayly-dressed folks, and the centre of the thoroughfare brisk with the constant going and coming of riders. She saw strange old women, painted, powdered and bewigged in hideous imitation of youth, pounding up and down the level street, and she wondered what wild hallucinations possessed the brains of these poor creatures. She saw troops of beautiful young girls, with flowing hair, clear eyes and bright complexions, riding by, a goodly company, under charge of a riding-mistress, and the world seemed to grow sweeter when they came into view. But while she was vaguely gazing and wondering and speculating her eyes were suddenly caught by two riders whose appearance sent a throb to her heart. Frank Lavender rode well, so did Mrs. Lorraine; and, though they were paying no particular attention to the crowd of passers-by, they doubtless knew that they could challenge criticism with an easy confidence. They were laughing and talking to each other as they went rapidly by: neither of them saw Sheila. The girl did not look after them. She rose and walked in the other direction, with a greater pain at her heart than had been there for many a day.

What was this crowd? Some dozen or so of people were standing round a small girl, who, accompanied by a man, was playing a violin, and playing it very well, too. But it was not the music that attracted Sheila to the child, but partly that there was a look about the timid, pretty face and the modest and honest eyes that reminded her of little Ailasa, and partly because, just at this moment, her heart seemed to be strangely sensitive and sympathetic. She took no thought of the people looking on. She went forward to the edge of the pavement, and found that the small girl and her companion were about to go away. Sheila stopped the man.

"Will you let your little girl come with me into this shop?"

It was a confectioner's shop.

"We were going home to dinner," said the man, while the small girl looked up with wondering eyes.

"Will you let her have dinner with me, and you will come back in half an hour?"

The man looked at the little girl: he seemed to be really fond of her, and saw that she was very willing to go. Sheila took her hand and led her into the confectioner's shop, putting her violin on one of the small marble tables while they sat down at another. She was probably not aware that two or three idlers had followed them, and were staring with might and main in at the door of the shop.

What could this child have thought of the beautiful and yet sad-eyed lady who was so kind to her, who got her all sorts of things with her own hands, and asked her all manner of questions in a low, gentle and sweet voice? There was not much in Sheila's appearance to provoke fear or awe. The little girl, shy at first, got to be a little more frank, and told her hostess when she rose in the morning, how she practiced, the number of hours they were out during the day, and many of the small incidents of her daily life. She had been photographed too, and her photograph was sold in one of the shops. She was very well content: she liked playing, the people were kind to her, and she did not often get tired.

"Then I shall see you often if I stay in Brighton?" said Sheila.

"We go out every day when it does not rain very hard."

Perhaps some wet day you will come and see me, and you will have some tea with me: would you like that?"

"Yes, very much," said the small musician, looking up frankly.

Just at this moment, the half hour having fully expired, the man appeared at the door.

"Don't hurry," said Sheila to the little girl: "sit still and drink out the lemonade; then I will give you some little parcels which you must put in your pocket."

She was about to rise to go to the counter when she suddenly met the eyes of her husband, who was calmly staring at her. He had come out, after their ride, with Mrs. Lorraine to have a stroll up and down the pavements, and had, in looking in at the various shops, caught sight of Sheila quietly having luncheon with this girl whom she had picked up in the streets.

"Did you ever see the like of that?" he said to Mrs. Lorraine. "In open day, with people staring in, and she has not even taken the trouble to put the violin out of sight!"

"The poor child means no harm," said his companion.

"Well, we must get her out of this somehow," he said; and so they entered the shop.

Sheila knew she was guilty the moment she met her husband's look, though she had never dreamed of it before. She had, indeed, acted quite thoughtlessly—perhaps chiefly moved by a desire to speak to some one and to befriend some one in her own loneliness.

"Hadn't you better let this little girl go?" said Lavender to Sheila somewhat coldly as soon as he had ordered an ice for his companion.

"When she has finished her lemonade she will go," said Sheila meekly. "But I have to buy some things for her first."

"You have got a whole lot of people round the door," he said.

"It is very kind of the people to wait for her," answered Sheila with the same composure. "We have been here half an hour. I suppose they will like her music very much."

The little violinist was now taken to the counter, and her pockets stuffed with packages of sugared fruits and other deadly delicacies: then she was permitted to go with half a crown in her hand. Mrs. Lorraine patted her shoulder in passing, and said she was a pretty little thing.

They went home to luncheon. Nothing was said about the incident of the forenoon, except that Lavender complained to Mrs. Kavanagh, in a humorous way, that his wife had a most extraordinary fondness for beggars, and that he never went home of an evening without expecting to find her dining with the nearest scavenger and his family. Lavender, indeed, was in an amiable frame of mind at this meal (during the progress of which Sheila sat by the window, of course, for she had already lunched in company with the tiny violinist), and was bent on making himself as agreeable as possible to his two companions. Their talk had drifted toward the wanderings of the two ladies on the Continent; from that to the Niebelungen frescoes in Munich; from that to the Niebelungen itself, and then, by easy transition, to the ballads of Uhland and Heine. Lavender was in one of his most impulsive and brilliant moods—gay and jocular, tender and sympathetic by turns, and so obviously sincere in all that his listeners were delighted with his speeches and assertions and stories, and believed them as implicitly as he did himself. Sheila, sitting at a distance, saw and heard, and could not help recalling many an evening in the far North when Lavender used to fascinate every one around him by the infection of his warm and poetic enthusiasm. How he talked, too—telling the stones of these quaint and pathetic ballads in his own rough—and—ready translations—while there was no self-consciousness in his face, but a thorough warmth of earnestness; and sometimes, too, she would notice a quiver of the under lip that she knew of old, when some pathetic point or phrase had to be indicated rather than described. He was drawing pictures for them as well as telling stories—of the three students entering the room in which the landlady's daughter lay dead—of Barbarossa in his cave—of the child who used to look up at Heine as he passed her in the street, awestricken by his pale and strange face—of the last of the band of companions who sat in the solitary room in which they had sat, and drank to their memory—of the king of Thule, and the deserter from Strasburg, and a thousand others.

"But is there any of them—is there anything in the world—more pitiable than that pilgrimage to Kevlaar?" he said. "You know it, of course. No? Oh, you must, surely. Don't you remember the mother who stood by the bedside of her sick son, and asked him whether he would not rise to see the great procession go by the window; and he tells her that he cannot, he is so ill: his heart is breaking for thinking of his dead Gretchen? You know the story, Sheila. The mother begs him to rise and come with her, and they will join the band of pilgrims going to Kevlaar, to be healed there of their wounds by the Mother of God. Then you find them at Kevlaar, and all the maimed and the lame people have come to the shrine; and whichever limb is diseased, they make a waxen image of that and lay it on the altar, and then they are healed. Well, the mother of this poor lad takes wax and forms a heart out of it, and says to her son, 'Take that to the Mother of God, and she will heal your pain.' Sighing, he takes the wax heart in his hand, and, sighing, he goes to the shrine; and there, with tears running down his face, he says, 'O beautiful Queen of Heaven, I am come to tell you my grief. I lived with my mother in Cologne: near us lived Gretchen, who is dead now. Blessed Mary, I bring you this wax heart: heal the wound in my heart.' And then—and then—"

Sheila saw his lip tremble. But he frowned, and said impatiently, "What a shame it is to destroy such a beautiful story! You can have no idea of it—of its simplicity and tenderness—"

"But pray let us hear the rest of it," said Mrs. Lorraine gently.

"Well, the last scene, you know, is a small chamber, and the mother and her sick son are asleep. The Blessed Mary glides into the chamber and bends over the young man, and puts her hand lightly on his heart. Then she smiles and disappears. The unhappy mother has seen all this in a dream, and now she awakes, for the dogs are barking loudly. The mother goes over to the bed of her son, and he is dead, and the morning light touches his pale face. And then the mother folds her hands, and says—"

He rose hastily with a gesture of fretfulness, and walked over to the window at which Sheila sat and looked out. She put her hand up to his: he took it.

"The next time I try to translate Heine," he said, making it appear that he had broken off through vexation, "something strange will happen."

"It is a beautiful story," said Mrs. Lorraine, who had herself been crying a little bit in a covert way: "I wonder I have not seen a translation of it. Come, mamma, Lady Leveret said we were not to be after four."

So they rose and left, and Sheila was alone with her husband, and still holding his hand. She looked up at him timidly, wondering, perhaps, in her simple way, as to whether she should not now pour out her heart to him, and tell him all her griefs and fears and yearnings. He had obviously been deeply moved by the story he had told so roughly: surely now was a good opportunity of appealing to him, and begging for sympathy and compassion.

"Frank," she said, and she rose and came close, and bent down her head to hide the color in her face.

"Well?" he answered a trifle coldly.

"You won't be vexed with me," she said in a low voice, and with her heart beginning to beat rapidly.

"Vexed with you about what?" he said abruptly.

Alas! all her hopes had fled. She shrank from the cold stare with which she knew he was regarding her. She felt it to be impossible that she should place before him those confidences with which she had approached him; and so, with a great effort, she merely said, "Are we to go to Lady Leveret's?"

"Of course we are," he said, "unless you would rather go and see some blind fiddler or beggar. It is really too bad of you, Sheila, to be so forgetful: what if Lady Leveret, for example, had come into that shop? It seems to me you are never satisfied with meeting the people you ought to meet, but that you must go and associate with all the wretched cripples and beggars you can find. You should remember you are a woman, and not a child—that people will talk about what you do if you go on in this mad way. Do you ever see Mrs. Kavanagh or her daughter do any of these things?"

Sheila had let go his hand: her eyes were still turned toward the ground. She had fancied that a little of that emotion that had been awakened in him by the story of the German mother and her son might warm his heart toward herself, and render it possible for her to talk to him frankly about all that she had been dimly thinking, and more definitely suffering. She was mistaken: that was all.

"I will try to do better, and please you," she said; and then she went away.