The greater part of the contributors to this work were lawyers; an order of men who, in most ages and nations, have accounted it a part of professional duty to stand in opposition to popular seditions on one hand, and to the violent and illegal exertion of arbitrary power on the other. Accordingly, many of the legends are made to exemplify the evils of both these excesses; and though, in more places than one, the unlawfulness, on any provocation, of lifting a hand against "the Lord's anointed" is in strong terms asserted, the deposition of tyrants is often recorded with applause; and no mercy is shown to the corrupt judge or minister who wrests law and justice in compliance with the wicked will of his prince.

The newly published chronicles of the wars of York and Lancaster by Hall, a writer who made some approach to the character of a genuine historian, furnished facts to the first composers of the Mirror; the later ones might draw also from Holinshed and Stow. There is some probability that the idea of forming plays on English history was suggested to Shakespeare by the earlier of these legends; and it is certain that his plays, in their turn, furnished some of their brightest ornaments of sentiment and diction to the legends added by later editors.

To a modern reader, the greater part of these once admired pieces will appear trite, prosaic, and tedious; but an uncultivated age—like the children and the common people of all ages—is most attracted and impressed by that mode of narration which leaves the least to be supplied by the imagination of the hearer or reader; and when this collection of history in verse is compared, not with the finished labors of a Hume or a Robertson, but with the prolix and vulgar narratives of the chroniclers, the admiration and delight with which it was received will no longer surprise.

One circumstance more respecting a work so important by the quantity of historical knowledge which it diffused among the mass of readers, and the influence which it exerted over the public mind during half a century, deserves to be here adverted to. Baldwyne and his fellow-laborers began their series from the Norman conquest, and the same starting-point had been judiciously chosen by Sackville; but the fabulous history of Geffrey of Monmouth still found such powerful advocates in national vanity, ignorance and credulity, that succeeding editors found it convenient to embellish their work with moral examples drawn from his fictitious series of British kings before the invasion of the Romans. Accordingly they have brought forward a long line of worthies, beginning with king Albanact, son of Brute the Trojan, and ending with Cadwallader the last king of the Britons, scarcely one of whom, excepting the renowned prince Arthur, is known even by name to the present race of students in English history; though amongst poetical readers, the immortal verse of Spenser preserves some recollection that such characters once were fabled. In return for this superfluity, our Saxon line of kings is passed over with very little notice, only three legends, and those of very obscure personages, being interposed between Cadwallader and king Harold. The descent of the royal race of Britain from the Trojans was at this period more than an article of poetical faith; it was maintained, or rather taken for granted, by the gravest and most learned writers. One Kelston, who dedicated a versified chronicle of the Brutes to Edward VI., went further still, and traced up the pedigree of his majesty through two-and-thirty generations, to Osiris king of Egypt. Troynovant, the name said to have been given to London by Brute its founder, was frequently employed in verse. A song addressed to Elizabeth entitles her the "beauteous queen of second Troy;" and in describing the pageants which celebrated her entrance into the provincial capitals which she visited in her progresses, it will frequently be necessary to introduce to the reader personages of the ancient race of this fabled conqueror of our island, who claimed for his direct ancestor,—but whether in the third or fourth degree authors differ,—no less a hero than the pious Æneas himself.

But to return to the personal circumstances of Elizabeth.

The public and splendid celebration of the festivals of the church was the least reprehensible of the measures employed by Mary for restoring the ascendancy of her religion over the minds of her subjects. She had been profuse in her donations of sacred vestments and ornaments to the churches and the monasteries, of which she had restored several; and these gaudy trappings of a ceremonial worship were exhibited, rather indeed to the scandal than the edification of a dejected people, in frequent processions conducted with the utmost solemnity and magnificence. Court entertainments always accompanied these devotional ceremonies, and Elizabeth seems by assisting at the latter to have purchased admission to the former. The Christmas festivities in which she shared have already been described in the words of a contemporary chronicler; and from the same source we derive the following account of the "antique pageantries" with which another season of rejoicing was celebrated for her recreation, by the munificence of the indulgent superintendent of her conduct and affairs. "In Shrove-tide 1556, sir Thomas Pope made for the lady Elizabeth, all at his own costs, a great and rich masking in the great hall at Hatfield, where the pageants were marvellously furnished. There were there twelve minstrels anticly disguised; with forty six or more gentlemen and ladies, many of them knights or nobles, and ladies of honor, apparelled in crimson sattin, embroidered upon with wreaths of gold, and garnished with borders of hanging pearl. And the devise of a castle of cloth of gold, set with pomegranates about the battlements, with shields of knights hanging therefrom; and six knights in rich harness tourneyed. At night the cupboard in the hall was of twelve stages mainly furnished with garnish of gold and silver vessul, and a banquet of seventy dishes, and after a voidee of spices and suttleties with thirty six spice-plates; all at the charges of sir Thomas Pope. And the next day the play of Holophernes. But the queen percase misliked these folleries as by her letters to sir Thomas it did appear; and so their disguisings ceased²⁹."

A circumstance soon afterwards occurred calculated to recall past dangers to the mind of the princess, and perhaps to disturb her with apprehensions of their recurrence.

Dudley Ashton, formerly a partisan of Wyat, had escaped into France, after the defeat and capture of his leader, whence he was still plotting the overthrow of Mary's government. By the connivance or assistance of that court, now on the brink of war with England, he was at length enabled to send over one Cleberry, a condemned person, whom he instructed to counterfeit the earl of Devonshire, and endeavour to raise the country in his cause. Letters and proclamations were at the same time dispersed by Ashton, in which the name of Elizabeth was employed without scruple. The party had even the slanderous audacity to pretend, that between Courtney and the heiress of the crown the closest of all intimacies, if not an actual marriage, subsisted; and the matter went so far that at Ipswich, one of the strong holds of protestantism, Cleberry proclaimed the earl of Devonshire and the princess, king and queen. But the times were past when any advantage could be taken of this circumstance against Elizabeth, whose perfect innocence was well known to the government; and the council immediately wrote in handsome terms to sir Thomas Pope, directing him to acquaint her, in whatever manner he should judge best, with the abominable falsehoods circulated respecting her. A few days after, the queen herself wrote also to her sister in terms fitted to assure her of perfect safety. The princess replied, says Strype, "in a well penned letter," "utterly detesting and disclaiming all concern in the enterprise, and declaiming against the actors in it." Of the epistle thus commended, a single paragraph will probably be esteemed a sufficient specimen.... "And among earthly things I chiefly wish this one; that there were as good surgeons for making anatomies of hearts, that might show my thoughts to your majesty, as there are expert physicians of the bodies, able to express the inward griefs of their maladies to the patient. For then I doubt not, but know well, that whatsoever others should suggest by malice, yet your majesty should be sure by knowledge; so that the more such misty clouds offuscate the clear light of my truth, the more my tried thoughts should glister to the dimming of their hidden malice." &c. It must be confessed that this erudite princess had not perfectly succeeded in transplanting into her own language the epistolary graces of her favorite Cicero;—but to how many much superior classical scholars might a similar remark be applied!

The frustration of Mary's hope of becoming a mother, her subsequent ill state of health, and the resolute refusal of the parliament to permit the coronation of her husband, who had quitted England in disgust to attend his affairs on the continent, conferred, in spite of all the efforts of the catholic party, a daily augmenting importance on Elizabeth. When therefore in November 1556 she had come in state to Somerset Place, her town-residence, to take up her abode for the winter, a kind of court was immediately formed around her; and she might hope to be richly indemnified for any late anxieties or privations, by the brilliant festivities, the respectful observances, and the still more welcome flatteries, of which she found herself the distinguished object:—But disappointment awaited her.

She had been invited to court for the purpose of receiving a second and more solemn offer of the hand of the duke of Savoy, whose suit was enforced by the king her brother-in-law with the whole weight of his influence or authority. This alliance had been the subject of earnest correspondence between Philip and the English council; the Imperial ambassadors were waiting in England for her answer; and the disappointment of the high-raised hopes of the royal party, by her reiteration of a decided negative, was followed by her quitting London in a kind of disgrace early in the month of December.

But Philip would not suffer the business to end here. Indignant at the resistance opposed by the princess to his measures, he seems to have urged the queen to interfere in a manner authoritative enough to compel obedience; but, by a remarkable exchange of characters, Mary now appeared as the protectress of her sister from the violence of Philip.

In a letter still preserved, she tells him, that unless the consent of parliament were first obtained, she fears that the accomplishment of the marriage would fail to procure for him the advantages which he expected; but that, however this might be, her conscience would not allow her to press the matter further. That the friar Alphonso, Philip's confessor, whom he had sent to argue the point with her, had entirely failed of convincing her; that in fact she could not comprehend the drift of his arguments. Philip, it is manifest, must already have made use of very harsh language towards the queen respecting her conduct in this affair, for she deprecates his further displeasure in very abject terms; but yet persists in her resolution with laudable firmness. Her husband was so far, however, from yielding with a good grace a point on which he had certainly no right to dictate either to Mary or to her sister, that soon afterwards he sent into England the duchesses of Parma and Lorrain for the purpose of conducting the princess into Flanders:—but this step was ill-judged.

His coldness and neglect had by this time nearly extinguished the fond passion of the queen, who is said to have torn his picture in a fit of rage, on report of some disrespectful language which he had used concerning her since his departure for the continent. Resentment and jealousy now divided her gloomy soul; and Philip's behaviour, on which she had doubtless her spies, caused her to regard the duchess of Lorrain as the usurper of his heart. The extraordinary circumstances of pomp and parade with which this lady, notwithstanding the smallness of her revenues, now appeared in England, confirmed and aggravated her most painful suspicions; and so far from favoring the suit urged by such an ambassadress, Mary became more than ever determined on thwarting it. She would not permit the duchesses to pay the princess a single visit at Hatfield; and her reception gave them so little encouragement to persevere, that they speedily returned to report their failure to him who sent them.

These circumstances seem to have produced a cordiality of feeling and frequency of intercourse between the sisters which had never before existed. In February 1557 the princess arrived with a great retinue at Somerset Place, and went thence to wait upon the queen at Whitehall; and when the spring was somewhat further advanced, her majesty honored her by returning the visit at Hatfield. The royal guest was, of course, to be entertained with every species of courtly and elegant delight; and accordingly, on the morning after her arrival, she and the princess, after attending mass, went to witness a grand exhibition of bear-bating, "with which their highnesses were right well content." In the evening the chamber was adorned with a sumptuous suit of tapestry, called, but from what circumstance does not appear, "the hangings of Antioch." After supper a play was represented by the choristers of St. Paul's, then the most applauded actors in London; and after it was over, one of the children accompanied with his voice the performance of the princess on the virginals.

Sir Thomas Pope could now without offence gratify his lady with another show, devised by him in that spirit of romantic magnificence equally agreeable to the taste of the age and the temper of Elizabeth herself. She was invited to repair to Enfield Chase to take the amusement of hunting the hart. Twelve ladies in white satin attended her on their "ambling palfreys," and twenty yeomen clad in green. At the entrance of the forest she was met by fifty archers in scarlet boots and yellow caps, armed with gilded bows, one of whom presented to her a silver-headed arrow winged with peacock's feathers. The splendid show concluded, according to the established laws of the chase, by the offering of the knife to the princess, as first lady on the field; and her taking 'say of the buck with her own fair and royal hand.