CHAPTER IV
A NEAR VIEW OF THE HIGH SIERRA

Early one bright morning in the middle of Indian summer, while the glacier meadows were still crisp with frost crystals, I set out from the foot of Mount Lyell, on my way down to Yosemite Valley, to replenish my exhausted store of bread and tea. I had spent the past summer, as many preceding ones, exploring the glaciers that lie on the head waters of the San Joaquin, Tuolumne, Merced, and Owen's rivers; measuring and studying their movements, trends, crevasses, moraines, etc., and the part they had played during the period of their greater extension in the creation and development of the landscapes of this alpine wonderland. The time for this kind of work was nearly over for the year, and I began to look forward with delight to the approaching winter with its wondrous storms, when I would be warmly snow-bound in my Yosemite cabin with plenty of bread and books; but a tinge of regret came on when I considered that possibly I might not see this favorite region again until the next summer, excepting distant views from the heights about the Yosemite walls.

To artists, few portions of the High Sierra are, strictly speaking, picturesque. The whole massive uplift of the range is one great picture, not clearly divisible into smaller ones; differing much in this respect from the older, and what may be called, riper mountains of the Coast Range. All the landscapes of the Sierra, as we have seen, were born again, remodeled from base to summit by the developing ice-floods of the last glacial winter. But all those new landscapes were not brought forth simultaneously; some of the highest, where the ice lingered longest, are tens of centuries younger than those of the warmer regions below them. In general, the younger the mountain-landscapes,—younger, I mean, with reference to the time of their emergence from the ice of the glacial period,—the less separable are they into artistic bits capable of being made into warm, sympathetic, lovable pictures with appreciable humanity in them.

Here, however, on the head waters of the Tuolumne, is a group of wild peaks on which the geologist may say that the sun has but just begun to shine, which is yet in a high degree picturesque, and in its main features so regular and evenly balanced as almost to appear conventional—one somber cluster of snow-laden peaks with gray pine-fringed granite bosses braided around its base, the whole surging free into the sky from the head of a magnificent valley, whose lofty walls are beveled away on both sides so as to embrace it all without admitting anything not strictly belonging to it. The foreground was now aflame with autumn colors, brown and purple and gold, ripe in the mellow sunshine; contrasting brightly with the deep, cobalt blue of the sky, and the black and gray, and pure, spiritual white of the rocks and glaciers. Down through the midst, the young Tuolumne was seen pouring from its crystal fountains, now resting in glassy pools as if changing back again into ice, now leaping in white cascades as if turning to snow; gliding right and left between granite bosses, then sweeping on through the smooth, meadowy levels of the valley, swaying pensively from side to side with calm, stately gestures past dipping willows and sedges, and around groves of arrowy pine; and throughout its whole eventful course, whether flowing fast or slow, singing loud or low, ever filling the landscape with spiritual animation, and manifesting the grandeur of its sources in every movement and tone.

Pursuing my lonely way down the valley, I turned again and again to gaze on the glorious picture, throwing up my arms to inclose it as in a frame. After long ages of growth in the darkness beneath the glaciers, through sunshine and storms, it seemed now to be ready and waiting for the elected artist, like yellow wheat for the reaper; and I could not help wishing that I might carry colors and brushes with me on my travels, and learn to paint. In the mean time I had to be content with photographs on my mind and sketches in my note-books. At length, after I had rounded a precipitous headland that puts out from the west wall of the valley, every peak vanished from sight, and I pushed rapidly along the frozen meadows, over the divide between the waters of the Merced and Tuolumne, and down through the forests that clothe the slopes of Cloud's Rest, arriving in Yosemite in due time—which, with me, is any time. And, strange to say, among the first people I met here were two artists who, with letters of introduction, were awaiting my return. They inquired whether in the course of my explorations in the adjacent mountains I had ever come upon a landscape suitable for a large painting; whereupon I began a description of the one that had so lately excited my admiration. Then, as I went on further and further into details, their faces began to glow, and I offered to guide them to it, while they declared that they would gladly follow, far or near, whithersoever I could spare the time to lead them.

Since storms might come breaking down through the fine weather at any time, burying the colors in snow, and cutting off the artists' retreat, I advised getting ready at once.

I led them out of the valley by the Vernal and Nevada Falls, thence over the main dividing ridge to the Big Tuolumne Meadows, by the old Mono trail, and thence along the upper Tuolumne River to its head. This was my companions' first excursion into the High Sierra, and as I was almost always alone in my mountaineering, the way that the fresh beauty was reflected in their faces made for me a novel and interesting study. They naturally were affected most of all by the colors—the intense azure of the sky, the purplish grays of the granite, the red and browns of dry meadows, and the translucent purple and crimson of huckleberry bogs; the flaming yellow of aspen groves, the silvery flashing of the streams, and the bright green and blue of the glacier lakes. But the general expression of the scenery—rocky and savage—seemed sadly disappointing; and as they threaded the forest from ridge to ridge, eagerly scanning the landscapes as they were unfolded, they said: "All this is huge and sublime, but we see nothing as yet at all available for effective pictures. Art is long, and art is limited, you know; and here are foregrounds, middle-grounds, backgrounds, all alike; bare rock-waves, woods, groves, diminutive flecks of meadow, and strips of glittering water." "Never mind," I replied, "only bide a wee, and I will show you something you will like."

At length, toward the end of the second day, the Sierra Crown began to come into view, and when we had fairly rounded the projecting headland before mentioned, the whole picture stood revealed in the flush of the alpenglow. Their enthusiasm was excited beyond bounds, and the more impulsive of the two, a young Scotchman, dashed ahead, shouting and gesticulating and tossing his arms in the air like a madman. Here, at last, was a typical alpine landscape.

After feasting awhile on the view, I proceeded to make camp in a sheltered grove a little way back from the meadow, where pine-boughs could be obtained for beds, and where there was plenty of dry wood for fires, while the artists ran here and there, along the river-bends and up the sides of the cañon, choosing foregrounds for sketches. After dark, when our tea was made and a rousing fire had been built, we began to make our plans. They decided to remain several days, at the least, while I concluded to make an excursion in the mean time to the untouched summit of Ritter.

It was now about the middle of October, the springtime of snow-flowers. The first winter-clouds had already bloomed, and the peaks were strewn with fresh crystals, without, however, affecting the climbing to any dangerous extent. And as the weather was still profoundly calm, and the distance to the foot of the mountain only a little more than a day, I felt that I was running no great risk of being storm-bound.

Mount Ritter is king of the mountains of the middle portion of the High Sierra, as Shasta of the north and Whitney of the south sections. Moreover, as far as I know, it had never been climbed. I had explored the adjacent wilderness summer after summer, but my studies thus far had never drawn me to the top of it. Its height above sea-level is about 13,300 feet, and it is fenced round by steeply inclined glaciers, and cañons of tremendous depth and ruggedness, which render it almost inaccessible. But difficulties of this kind only exhilarate the mountaineer.

Next morning, the artists went heartily to their work and I to mine. Former experiences had given good reason to know that passionate storms, invisible as yet, might be brooding in the calm sun-gold; therefore, before bidding farewell, I warned the artists not to be alarmed should I fail to appear before a week or ten days, and advised them, in case a snow-storm should set in, to keep up big fires and shelter themselves as best they could, and on no account to become frightened and attempt to seek their way back to Yosemite alone through the drifts.

My general plan was simply this: to scale the cañon, wall, cross over to the eastern flank of the range, and then make my way southward to the northern spurs of Mount Ritter in compliance with the intervening topography; for to push on directly southward from camp through the innumerable peaks and pinnacles that adorn this portion of the axis of the range, however interesting, would take too much time, besides being extremely difficult and dangerous at this time of year.

All my first day was pure pleasure; simply mountaineering indulgence, crossing the dry pathways of the ancient glaciers, tracing happy streams, and learning the habits of the birds and marmots in the groves and rocks. Before I had gone a mile from camp, I came to the foot of a white cascade that beats its way down a rugged gorge in the cañon wall, from a height of about nine hundred feet, and pours its throbbing waters into the Tuolumne. I was acquainted with its fountains, which, fortunately, lay in my course. What a fine traveling companion it proved to be, what songs it sang, and how passionately it told the mountain's own joy! Gladly I climbed along its dashing border, absorbing its divine music, and bathing from time to time in waftings of irised spray. Climbing higher, higher, now beauty came streaming on the sight: painted meadows, late-blooming gardens, peaks of rare architecture, lakes here and there, shining like silver, and glimpses of the forested middle region and the yellow lowlands far in the west. Beyond the range I saw the so-called Mono Desert, lying dreamily silent in thick purple light—a desert of heavy sun-glare beheld from a desert of ice-burnished granite. Here the waters divide, shouting in glorious enthusiasm, and falling eastward to vanish in the volcanic sands and dry sky of the Great Basin, or westward to the Great Valley of California, and thence through the Bay of San Francisco and the Golden Gate to the sea.

Passing a little way down over the summit until I had reached an elevation of about 10,000 feet, I pushed on southward toward a group of savage peaks that stand guard about Ritter on the north and west, groping my way, and dealing instinctively with every obstacle as it presented itself. Here a huge gorge would be found cutting across my path, along the dizzy edge of which I scrambled until some less precipitous point was discovered where I might safely venture to the bottom and then, selecting some feasible portion of the opposite wall, reascend with the same slow caution. Massive, flat-topped spurs alternate with the gorges, plunging abruptly from the shoulders of the snowy peaks, and planting their feet in the warm desert. These were everywhere marked and adorned with characteristic sculptures of the ancient glaciers that swept over this entire region like one vast ice-wind, and the polished surfaces produced by the ponderous flood are still so perfectly preserved that in many places the sunlight reflected from them is about as trying to the eyes as sheets of snow.

God's glacial-mills grind slowly, but they have been kept in motion long enough in California to grind sufficient soil for a glorious abundance of life, though most of the grist has been carried to the lowlands, leaving these high regions comparatively lean and bare; while the post-glacial agents of erosion have not yet furnished sufficient available food over the general surface for more than a few tufts of the hardiest plants, chiefly carices and eriogonae. And it is interesting to learn in this connection that the sparseness and repressed character of the vegetation at this height is caused more by want of soil than by harshness of climate; for, here and there, in sheltered hollows (countersunk beneath the general surface) into which a few rods of well-ground moraine chips have been dumped, we find groves of spruce and pine thirty to forty feet high, trimmed around the edges with willow and huckleberry bushes, and oftentimes still further by an outer ring of tall grasses, bright with lupines, larkspurs, and showy columbines, suggesting a climate by no means repressingly severe. All the streams, too, and the pools at this elevation are furnished with little gardens wherever soil can be made to lie, which, though making scarce any show at a distance, constitute charming surprises to the appreciative observer. In these bits of leanness a few birds find grateful homes. Having no acquaintance with man, they fear no ill, and flock curiously about the stranger, almost allowing themselves to be taken in the hand. In so wild and so beautiful a region was spent my first day, every sight and sound inspiring, leading one far out of himself, yet feeding and building up his individuality.

Now came the solemn, silent evening. Long, blue, spiky shadows crept out across the snow-fields, while a rosy glow, at first scarce discernible, gradually deepened and suffused every mountain-top, flushing the glaciers and the harsh crags above them. This was the alpenglow, to me one of the most impressive of all the terrestrial manifestations of God. At the touch of this divine light, the mountains seemed to kindle to a rapt, religious consciousness, and stood hushed and waiting like devout worshipers. Just before the alpenglow began to fade, two crimson clouds came streaming across the summit like wings of flame, rendering the sublime scene yet more impressive; then came darkness and the stars.

Icy Ritter was still miles away, but I could proceed no farther that night. I found a good campground on the rim of a glacier basin about 11,000 feet above the sea. A small lake nestles in the bottom of it, from which I got water for my tea, and a storm-beaten thicket near by furnished abundance of resiny fire-wood. Somber peaks, hacked and shattered, circled half-way around the horizon, wearing a savage aspect in the gloaming, and a waterfall chanted solemnly across the lake on its way down from the foot of a glacier. The fall and the lake and the glacier were almost equally bare; while the scraggy pines anchored in the rock-fissures were so dwarfed and shorn by storm-winds that you might walk over their tops. In tone and aspect the scene was one of the most desolate I ever beheld. But the darkest scriptures of the mountains are illumined with bright passages of love that never fail to make themselves felt when one is alone.

I made my bed in a nook of the pine-thicket, where the branches were pressed and crinkled overhead like a roof, and bent down around the sides. These are the best bedchambers the high mountains afford—snug as squirrel-nests, well ventilated, full of spicy odors, and with plenty of wind-played needles to sing one asleep. I little expected company, but, creeping in through a low side-door, I found five or six birds nestling among the tassels. The night-wind began to blow soon after dark; at first only a gentle breathing, but increasing toward midnight to a rough gale that fell upon my leafy roof in ragged surges like a cascade, bearing wild sounds from the crags overhead. The waterfall sang in chorus, filling the old ice-fountain with its solemn roar, and seeming to increase in power as the night advanced—fit voice for such a landscape. I had to creep out many times to the fire during the night, for it was biting cold and I had no blankets. Gladly I welcomed the morning star.

The dawn in the dry, wavering air of the desert was glorious. Everything encouraged my undertaking and betokened success. There was no cloud in the sky, no storm-tone in the wind. Breakfast of bread and tea was soon made. I fastened a hard, durable crust to my belt by way of provision, in case I should be compelled to pass a night on the mountain-top; then, securing the remainder of my little stock against wolves and wood-rats, I set forth free and hopeful.

How glorious a greeting the sun gives the mountains! To behold this alone is worth the pains of any excursion a thousand times over. The highest peaks burned like islands in a sea of liquid shade. Then the lower peaks and spires caught the glow, and long lances of light, streaming through many a notch and pass, fell thick on the frozen meadows. The majestic form of Ritter was full in sight, and I pushed rapidly on over rounded rock-bosses and pavements, my iron-shod shoes making a clanking sound, suddenly hushed now and then in rugs of bryanthus, and sedgy lake-margins soft as moss. Here, too, in this so-called "land of desolation," I met cassiope, growing in fringes among the battered rocks. Her blossoms had faded long ago, but they were still clinging with happy memories to the evergreen sprays, and still so beautiful as to thrill every fiber of one's being. Winter and summer, you may hear her voice, the low, sweet melody of her purple bells. No evangel among all the mountain plants speaks Nature's love more plainly than cassiope. Where she dwells, the redemption of the coldest solitude is complete. The very rocks and glaciers seem to feel her presence, and become imbued with her own fountain sweetness. All things were warming and awakening. Frozen rills began to flow, the marmots came out of their nests in boulder-piles and climbed sunny rocks to bask, and the dun-headed sparrows were flitting about seeking their breakfasts. The lakes seen from every ridge-top were brilliantly rippled and spangled, shimmering like the thickets of the low Dwarf Pines. The rocks, too, seemed responsive to the vital heat—rock-crystals and snow-crystals thrilling alike. I strode on exhilarated, as if never more to feel fatigue, limbs moving of themselves, every sense unfolding like the thawing flowers, to take part in the new day harmony.

All along my course thus far, excepting when down in the cañons, the landscapes were mostly open to me, and expansive, at least on one side. On the left were the purple plains of Mono, reposing dreamily and warm; on the right, the near peaks springing keenly into the thin sky with more and more impressive sublimity. But these larger views were at length lost. Rugged spurs, and moraines, and huge, projecting buttresses began to shut me in. Every feature became more rigidly alpine, without, however, producing any chilling effect; for going to the mountains is like going home. We always find that the strangest objects in these fountain wilds are in some degree familiar, and we look upon them with a vague sense of having seen them before.