The Queen hated M. de La Vauguyon; she accused him alone of those points in the habits, and even the sentiments, of the King which hurt her. A former first woman of the bedchamber to Queen Maria Leczinska had continued in office near the young Queen. She was one of those people who are fortunate enough to spend their lives in the service of kings without knowing anything of what is passing at Court. She was a great devotee; the Abbe Grisel, an ex-Jesuit, was her director. Being rich from her savings and an income of 50,000 livres, she kept a very good table; in her apartment, at the Grand Commun, the most distinguished persons who still adhered to the Order of Jesuits often assembled. The Duc de La Vauguyon was intimate with her; their chairs at the Eglise des Reollets were placed near each other; at high mass and at vespers they sang the "Gloria in Excelsis" and the "Magnificat" together; and the pious virgin, seeing in him only one of God's elect, little imagined him to be the declared enemy of a Princess whom she served and revered. On the day of his death she ran in tears to relate to the Queen the piety, humility, and repentance of the last moments of the Duc de La Vauguyon. He had called his people together, she said, to ask their pardon. "For what?" replied the Queen, sharply; "he has placed and pensioned off all his servants; it was of the King and his brothers that the holy man you bewail should have asked pardon, for having paid so little attention to the education of princes on whom the fate and happiness of twenty-five millions of men depend. Luckily," added she, "the King and his brothers, still young, have incessantly laboured to repair the errors of their preceptor."

The progress of time, and the confidence with which the King and the Princes, his brothers, were inspired by the change in their situation since the death of Louis XV., had developed their characters. I will endeavour to depict them.

The features of Louis XVI. were noble enough, though somewhat melancholy in expression; his walk was heavy and unmajestic; his person greatly neglected; his hair, whatever might be the skill of his hairdresser, was soon in disorder. His voice, without being harsh, was not agreeable; if he grew animated in speaking he often got above his natural pitch, and became shrill. The Abbe de Radonvilliers, his preceptor, one of the Forty of the French Academy, a learned and amiable man, had given him and Monsieur a taste for study. The King had continued to instruct himself; he knew the English language perfectly; I have often heard him translate some of the most difficult passages in Milton's poems. He was a skilful geographer, and was fond of drawing and colouring maps; he was well versed in history, but had not perhaps sufficiently studied the spirit of it. He appreciated dramatic beauties, and judged them accurately. At Choisy, one day, several ladies expressed their dissatisfaction because the French actors were going to perform one of Moliere's pieces. The King inquired why they disapproved of the choice. One of them answered that everybody must admit that Moliere had very bad taste; the King replied that many things might be found in Moliere contrary to fashion, but that it appeared to him difficult to point out any in bad taste?

[The King, having purchased the Chateau of Rambouillet from the Duc de Penthievre, amused himself with embellishing it. I have seen a register entirely in his own handwriting, which proves that he possessed a great variety of information on the minutiae of various branches of knowledge. In his accounts he would not omit an outlay of a franc. His figures and letters, when he wished to write legibly, were small and very neat, but in general he wrote very ill. He was so sparing of paper that he divided a sheet into eight, six, or four pieces, according to the length of what he had to write. Towards the close of the page he compressed the letters, and avoided interlineations. The last words were close to the edge of the paper; he seemed to regret being obliged to begin another page. He was methodical and analytical; he divided what he wrote into chapters and sections. He had extracted from the works of Nicole and Fenelon, his favourite authors, three or four hundred concise and sententious phrases; these he had classed according to subject, and formed a work of them in the style of Montesquieu. To this treatise he had given the following general title: "Of Moderate Monarchy" (De la Monarchie temperee), with chapters entitled, "Of the Person of the Prince;" "Of the Authority of Bodies in the State;" "Of the Character of the Executive Functions of the Monarchy." Had he been able to carry into effect all the grand precepts he had observed in Fenelon, Louis XVI. would have been an accomplished monarch, and France a powerful kingdom. The King used to accept the speeches his ministers presented to him to deliver on important occasions; but he corrected and modified them; struck out some parts, and added others; and sometimes consulted the Queen on the subject. The phrase of the minister erased by the King was frequently unsuitable, and dictated by the minister's private feelings; but the King's was always the natural expression. He himself composed, three times or oftener, his famous answers to the Parliament which he banished. But in his letters he was negligent, and always incorrect. Simplicity was the characteristic of the King's style; the figurative style of M. Necker did not please him; the sarcasms of Maurepas were disagreeable to him. Unfortunate Prince! he would predict, in his observations, that if such a calamity should happen, the monarchy would be ruined; and the next day he would consent in Council to the very measure which he had condemned the day before, and which brought him nearer the brink of the precipice.—SOULAVIE, "Historical and Political Memoirs of the Reign of Louis XVI.," vol. ii.]

This Prince combined with his attainments the attributes of a good husband, a tender father, and an indulgent master.

Unfortunately he showed too much predilection for the mechanical arts; masonry and lock-making so delighted him that he admitted into his private apartment a common locksmith, with whom he made keys and locks; and his hands, blackened by that sort of work, were often, in my presence, the subject of remonstrances and even sharp reproaches from the Queen, who would have chosen other amusements for her husband.

[Louis XVI. saw that the art of lock-making was capable of application to a higher study, He was an excellent geographer. The most valuable and complete instrument for the study of that science was begun by his orders and under his direction. It was an immense globe of copper, which was long preserved, though unfinished, in the Mazarine library. Louis XVI. invented and had executed under his own eyes the ingenious mechanism required for this globe.—NOTE BY THE EDITOR.]

Austere and rigid with regard to himself alone, the King observed the laws of the Church with scrupulous exactness. He fasted and abstained throughout the whole of Lent. He thought it right that the queen should not observe these customs with the same strictness. Though sincerely pious, the spirit of the age had disposed his mind to toleration. Turgot, Malesherbes, and Necker judged that this Prince, modest and simple in his habits, would willingly sacrifice the royal prerogative to the solid greatness of his people. His heart, in truth, disposed him towards reforms; but his prejudices and fears, and the clamours of pious and privileged persons, intimidated him, and made him abandon plans which his love for the people had suggested.

Monsieur—

[During his stay at Avignon, Monsieur, afterwards Louis XVIII, lodged with the Duc de Crillon; he refused the town-guard which was offered him, saying, "A son of France, under the roof of a Crillon, needs no guard."—NOTE BY THE EDITOR.]

had more dignity of demeanour than the King; but his corpulence rendered his gait inelegant. He was fond of pageantry and magnificence. He cultivated the belles lettres, and under assumed names often contributed verses to the Mercury and other papers.

His wonderful memory was the handmaid of his wit, furnishing him with the happiest quotations. He knew by heart a varied repertoire, from the finest passages of the Latin classics to the Latin of all the prayers, from the works of Racine to the vaudeville of "Rose et Colas."

The Comte d'Artoisi had an agreeable countenance, was well made, skilful in bodily exercises, lively, impetuous, fond of pleasure, and very particular in his dress. Some happy observations made by him were repeated with approval, and gave a favourable idea of his heart. The Parisians liked the open and frank character of this Prince, which they considered national, and showed real affection for him.

The dominion that the Queen gained over the King's mind, the charms of a society in which Monsieur displayed his wit, and to which the Comte d'Artois—[Afterwards Charles X.]—gave life by the vivacity of youth, gradually softened that ruggedness of manner in Louis XVI. which a better-conducted education might have prevented. Still, this defect often showed itself, and, in spite of his extreme simplicity, the King inspired those who had occasion to speak to him with diffidence. Courtiers, submissive in the presence of their sovereign, are only the more ready to caricature him; with little good breeding, they called those answers they so much dreaded, Les coups de boutoir du Roi.—[The literal meaning of the phrase "coup de boutoir," is a thrust from the snout of a boar.]

Methodical in all his habits, the King always went to bed at eleven precisely. One evening the Queen was going with her usual circle to a party, either at the Duc de Duras's or the Princesse de Glumenee's. The hand of the clock was slily put forward to hasten the King's departure by a few minutes; he thought bed-time was come, retired, and found none of his attendants ready to wait on him. This joke became known in all the drawing-rooms of Versailles, and was disapproved of there. Kings have no privacy. Queens have no boudoirs. If those who are in immediate attendance upon sovereigns be not themselves disposed to transmit their private habits to posterity, the meanest valet will relate what he has seen or heard; his gossip circulates rapidly, and forms public opinion, which at length ascribes to the most august persons characters which, however untrue they may be, are almost always indelible.

NOTE. The only passion ever shown by Louis XVI. was for hunting. He was so much occupied by it that when I went up into his private closets at Versailles, after the 10th of August, I saw upon the staircase six frames, in which were seen statements of all his hunts, when Dauphin and when King. In them was detailed the number, kind, and quality of the game he had killed at each hunting party during every month, every season, and every year of his reign.

The interior of his private apartments was thus arranged: a salon, ornamented with gilded mouldings, displayed the engravings which had been dedicated to him, drawings of the canals he had dug, with the model of that of Burgundy, and the plan of the cones and works of Cherbourg. The upper hall contained his collection of geographical charts, spheres, globes, and also his geographical cabinet. There were to be seen drawings of maps which he had begun, and some that he had finished. He had a clever method of washing them in. His geographical memory was prodigious. Over the hall was the turning and joining room, furnished with ingenious instruments for working in wood. He inherited some from Louis XV., and he often busied himself, with Duret's assistance, in keeping them clean and bright. Above was the library of books published during his reign. The prayer books and manuscript books of Anne of Brittany, Francois I, the later Valois, Louis XIV., Louis XV., and the Dauphin formed the great hereditary library of the Chateau. Louis XVI. placed separately, in two apartments communicating with each other, the works of his own time, including a complete collection of Didot's editions, in vellum, every volume enclosed in a morocco case. There were several English works, among the rest the debates of the British Parliament, in a great number of volumes in folio (this is the Moniteur of England, a complete collection of which is so valuable and so scarce). By the side of this collection was to be seen a manuscript history of all the schemes for a descent upon that island, particularly that of Comte de Broglie. One of the presses of this cabinet was full of cardboard boxes, containing papers relative to the House of Austria, inscribed in the King's own hand: "Secret papers of my family respecting the House of Austria; papers of my family respecting the Houses of Stuart and Hanover." In an adjoining press were kept papers relative to Russia. Satirical works against Catherine II. and against Paul I. were sold in France under the name of histories; Louis XVIII. collected and sealed up with his small seal the scandalous anecdotes against Catherine II., as well as the works of Rhulieres, of which he had a copy, to be certain that the secret life of that Princess, which attracted the curiosity of her contemporaries, should not be made public by his means.

Above the King's private library were a forge, two anvils, and a vast number of iron tools; various common locks, well made and perfect; some secret locks, and locks ornamented with gilt copper. It was there that the infamous Gamin, who afterwards accused the King of having tried to poison him, and was rewarded for his calumny with a pension of twelve thousand livres, taught him the art of lock-making. This Gamin, who became our guide, by order of the department and municipality of Versailles, did not, however, denounce the King on the 20th December, 1792. He had been made the confidant of that Prince in an immense number of important commissions; the King had sent him the "Red Book," from Paris, in a parcel; and the part which was concealed during the Constituent Assembly still remained so in 1793. Gamin hid it in a part of the Chateau inaccessible to everybody, and took it from under the shelves of a secret press before our eyes. This is a convincing proof that Louis XVI. hoped to return to his Chiteau. When teaching Louis XVI. his trade Gamin took upon himself the tone and authority of a master. "The King was good, forbearing, timid, inquisitive, and addicted to sleep," said Gamin to me; "he was fond to excess of lock-making, and he concealed himself from the Queen and the Court to file and forge with me. In order to convey his anvil and my own backwards and forwards we were obliged to use a thousand stratagems, the history of which would: never end." Above the King's and Gamin's forges and anvils was an, observatory, erected upon a platform covered with lead. There, seated on an armchair, and assisted by a telescope, the King observed all that was passing in the courtyards of Versailles, the avenue of Paris, and the neighbouring gardens. He had taken a liking to Duret, one of the indoor servants of the palace, who sharpened his tools, cleaned his anvils, pasted his maps, and adjusted eyeglasses to the King's sight, who was short-sighted. This good Duret, and indeed all the indoor servants, spoke of their master with regret and affection, and with tears in their eyes.

The King was born weak and delicate; but from the age of twenty-four he possessed a robust constitution, inherited from his mother, who was of the House of Saxe, celebrated for generations for its robustness. There were two men in Louis XVI., the man of knowledge and the man of will. The King knew the history of his own family and of the first houses of France perfectly. He composed the instructions for M. de la Peyrouse's voyage round the world, which the minister thought were drawn up by several members of the Academy of Sciences. His memory retained an infinite number of names and situations. He remembered quantities and numbers wonderfully. One day an account was presented to him in which the minister had ranked among the expenses an item inserted in the account of the preceding year. "There is a double charge," said the King; "bring me last year's account, and I will show it yet there." When the King was perfectly master of the details of any matter, and saw injustice, he was obdurate even to harshness. Then he would be obeyed instantly, in order to be sure that he was obeyed.

But in important affairs of state the man of will was not to be found. Louis XVI. was upon the throne exactly what those weak temperaments whom nature has rendered incapable of an opinion are in society. In his pusillanimity, he gave his confidence to a minister; and although amidst various counsels he often knew which was the best, he never had the resolution to say, "I prefer the opinion of such a one." Herein originated the misfortunes of the State.—SOULAVIE'S "Historical and Political Memoirs Of the Reign Of LOUIS XVI.," VOL ii.