"I cannot sing myself, I cannot play the violin, but I can teach – hein, Gecko? And I have a pupil – hein, Gecko? – la betite Honorine;" and here he leered all round with a leer that was not engaging. "The world shall hear of la betite Honorine some day – hein, Gecko? Listen all – this is how I teach la betite Honorine! Gecko, play me a little accompaniment in pizzicato."

And he pulled out of his pocket a kind of little flexible flageolet (of his own invention, it seems), which he screwed together and put to his lips, and on this humble instrument he played "Ben Bolt," while Gecko accompanied him, using his fiddle as a guitar, his adoring eyes fixed in reverence on his master.

And it would be impossible to render in any words the deftness, the distinction, the grace, power, pathos, and passion with which this truly phenomenal artist executed the poor old twopenny tune on his elastic penny whistle – for it was little more – such thrilling, vibrating, piercing tenderness, now loud and full, a shrill scream of anguish, now soft as a whisper, a mere melodic breath, more human almost than the human voice itself, a perfection unattainable even by Gecko, a master, on an instrument which is the acknowledged king of all!

So that the tear which had been so close to the brink of Little Billee's eye while Gecko was playing now rose and trembled under his eyelid and spilled itself down his nose; and he had to dissemble and surreptitiously mop it up with his little finger as he leaned his chin on his hand, and cough a little husky, unnatural cough —pour se donner une contenance!

He had never heard such music as this, never dreamed such music was possible. He was conscious, while it lasted, that he saw deeper into the beauty, the sadness of things, the very heart of them, and their pathetic evanescence, as with a new, inner eye – even into eternity itself, beyond the veil – a vague cosmic vision that faded when the music was over, but left an unfading reminiscence of its having been, and a passionate desire to express the like some day through the plastic medium of his own beautiful art.

When Svengali ended, he leered again on his dumb-struck audience, and said: "That is how I teach la betite Honorine to sing; that is how I teach Gecko to play; that is how I teach 'il bel canto'! It was lost, the bel canto – but I found it, in a dream – I, and nobody else – I – Svengali – I – I —I! But that is enough of music; let us play at something else – let us play at this!" he cried, jumping up and seizing a foil and bending it against the wall… "Come along, Little Pillee, and I will show you something more you don't know…"

So Little Billee took off coat and waistcoat, donned mask and glove and fencing-shoes, and they had an "assault of arms," as it is nobly called in French, and in which poor Little Billee came off very badly. The German Pole fenced wildly, but well.

Then it was the Laird's turn, and he came off badly too; so then Taffy took up the foil, and redeemed the honor of Great Britain, as became a British hussar and a Man of Blood. For Taffy, by long and assiduous practice in the best school in Paris (and also by virtue of his native aptitudes), was a match for any maître d'armes in the whole French army, and Svengali got "what for."

And when it was time to give up play and settle down to work, others dropped in – French, English, Swiss, German, American, Greek; curtains were drawn and shutters opened; the studio was flooded with light – and the afternoon was healthily spent in athletic and gymnastic exercises till dinner-time.

But Little Billee, who had had enough of fencing and gymnastics for the day, amused himself by filling up with black and white and red chalk-strokes the outline of Trilby's foot on the wall, lest he should forget his fresh vision of it, which was still to him as the thing itself – an absolute reality, born of a mere glance, a mere chance.

Durien came in and looked over his shoulder, and exclaimed: "Tiens! le pied de Trilby! vous avez fait ça d'après nature?"

"Nong!"

"De mémoire, alors?"

"Wee!"

"Je vous en fais mon compliment! Vous avez eu la main heureuse. Je voudrais bien avoir fait ça, moi! C'est un petit chef-d'œuvre que vous avez fait là – tout bonnement, mon cher! Mais vous élaborez trop. De grâce, n'y touchez plus!"

And Little Billee was pleased, and touched it no more; for Durien was a great sculptor, and sincerity itself.

And then – well, I happen to forget what sort of day this particular day turned into at about six of the clock.

If it was decently fine, the most of them went off to dine at the Restaurant de la Couronne, kept by the Père Trin, in the Rue de Monsieur, who gave you of his best to eat and drink for twenty sols Parisis, or one franc in the coin of the empire. Good distending soups, omelets that were only too savory, lentils, red and white beans, meat so dressed and sauced and seasoned that you didn't know whether it were beef or mutton – flesh, fowl, or good red herring – or even bad, for that matter – nor very greatly care.

And just the same lettuce, radishes, and cheese of Gruyère or Brie as you got at the Trois Frères Provençaux (but not the same butter!). And to wash it all down, generous wine in wooden "brocs" – that stained a lovely æsthetic blue everything it was spilled over.

And you hobnobbed with models, male and female, students of law and medicine, painters and sculptors, workmen and blanchisseuses and grisettes, and found them very good company, and most improving to your French, if your French was of the usual British kind, and even to some of your manners, if these were very British indeed. And the evening was innocently wound up with billiards, cards, or dominos at the Café du Luxembourg opposite; or at the Théâtre du Luxembourg, in the Rue de Madame, to see funny farces with screamingly droll Englishmen in them; or, still better, at the Jardin Bullier (la Closerie des Lilas), to see the students dance the cancan, or try and dance it yourself, which is not so easy as it seems; or, best of all, at the Théâtre de l'Odéon, to see some piece of classical repertoire.

Or, if it were not only fine, but a Saturday afternoon into the bargain, the Laird would put on a necktie and a few other necessary things, and the three friends would walk arm in arm to Taffy's hotel in the Rue de Seine, and wait outside till he had made himself as presentable as the Laird, which did not take very long. And then (Little Billee was always presentable) they would, arm in arm, the huge Taffy in the middle, descend the Rue de Seine and cross a bridge to the Cité, and have a look in at the Morgue. Then back again to the quays on the rive gauche by the Pont Neuf, to wend their way westward; now on one side to look at the print and picture shops and the magasins of bric-à-brac, and haply sometimes buy thereof, now on the other to finger and cheapen the second-hand books for sale on the parapet, and even pick up one or two utterly unwanted bargains, never to be read or opened again.

When they reached the Pont des Arts they would cross it, stopping in the middle to look up the river towards the old Cité and Notre Dame, eastward, and dream unutterable things, and try to utter them. Then, turning westward, they would gaze at the glowing sky and all it glowed upon – the corner of the Tuileries and the Louvre, the many bridges, the Chamber of Deputies, the golden river narrowing its perspective and broadening its bed as it went flowing and winding on its way between Passy and Grenelle to St. Cloud, to Rouen, to the Havre, to England perhaps – where they didn't want to be just then; and they would try and express themselves to the effect that life was uncommonly well worth living in that particular city at that particular time of the day and year and century, at that particular epoch of their own mortal and uncertain lives.

Then, still arm in arm and chatting gayly, across the court-yard of the Louvre, through gilded gates well guarded by reckless imperial Zouaves, up the arcaded Rue de Rivoli as far as the Rue Castiglione, where they would stare with greedy eyes at the window of the great corner pastry-cook, and marvel at the beautiful assortment of bonbons, pralines, dragées, marrons glacés – saccharine, crystalline substances of all kinds and colors, as charming to look at as an illumination; precious stones, delicately frosted sweets, pearls and diamonds so arranged as to melt in the mouth; especially, at this particular time of the year, the monstrous Easter-eggs of enchanting hue, enshrined like costly jewels in caskets of satin and gold; and the Laird, who was well read in his English classics and liked to show it, would opine that "they managed these things better in France."

Then across the street by a great gate into the Allée des Feuillants, and up to the Place de la Concorde – to gaze, but quite without base envy, at the smart people coming back from the Bois de Boulogne. For even in Paris "carriage people" have a way of looking bored, of taking their pleasure sadly, of having nothing to say to each other, as though the vibration of so many wheels all rolling home the same way every afternoon had hypnotized them into silence, idiocy, and melancholia.

And our three musketeers of the brush would speculate on the vanity of wealth and rank and fashion; on the satiety that follows in the wake of self-indulgence and overtakes it; on the weariness of the pleasures that become a toil – as if they knew all about it, had found it all out for themselves, and nobody else had ever found it out before!

Then they found out something else – namely, that the sting of healthy appetite was becoming intolerable; so they would betake themselves to an English eating-house in the Rue de la Madeleine (on the left-hand side near the top), where they would renovate their strength and their patriotism on British beef and beer, and household bread, and bracing, biting, stinging yellow mustard, and horseradish, and noble apple-pie, and Cheshire cheese; and get through as much of these in an hour or so as they could for talking, talking, talking; such happy talk! as full of sanguine hope and enthusiasm, of cocksure commendation or condemnation of all painters, dead or alive, of modest but firm belief in themselves and each other, as a Paris Easter-egg is full of sweets and pleasantness (for the young).

And then a stroll on the crowded, well-lighted boulevards, and a bock at the café there, at a little three-legged marble table right out on the genial asphalt pavement, still talking nineteen to the dozen.

Then home by dark, old, silent streets and some deserted bridge to their beloved Latin quarter, the Morgue gleaming cold and still and fatal in the pale lamplight, and Notre Dame pricking up its watchful twin towers, which have looked down for so many centuries on so many happy, sanguine, expansive youths walking arm in arm by twos and threes, and forever talking, talking, talking…

The Laird and Little Billee would see Taffy safe to the door of his hôtel garni in the Rue de Seine, where they would find much to say to each other before they said good-night – so much that Taffy and Little Billee would see the Laird safe to his door, in the Place St. Anatole des Arts. And then a discussion would arise between Taffy and the Laird on the immortality of the soul, let us say, or the exact meaning of the word "gentleman," or the relative merits of Dickens and Thackeray, or some such recondite and quite unhackneyed theme, and Taffy and the Laird would escort Little Billee to his door, in the Place de l'Odéon, and he would re-escort them both back again, and so on till any hour you please.

Or again, if it rained, and Paris through the studio window loomed lead-colored, with its shiny slate roofs under skies that were ashen and sober, and the wild west wind made woful music among the chimney-pots, and little gray waves ran up the river the wrong way, and the Morgue looked chill and dark and wet, and almost uninviting (even to three healthy-minded young Britons), they would resolve to dine and spend a happy evening at home.

Little Billee, taking with him three francs (or even four), would dive into back streets and buy a yard or so of crusty new bread, well burned on the flat side, a fillet of beef, a litre of wine, potatoes and onions, butter, a little cylindrical cheese called "bondon de Neufchâtel," tender curly lettuce, with chervil, parsley, spring onions, and other fine herbs, and a pod of garlic, which would be rubbed on a crust of bread to flavor things with.

Taffy would lay the cloth Englishwise, and also make the salad, for which, like everybody else I ever met, he had a special receipt of his own (putting in the oil first and the vinegar after); and indeed his salads were quite as good as everybody else's.

The Laird, bending over the stove, would cook the onions and beef into a savory Scotch mess so cunningly that you could not taste the beef for the onions – nor always the onions for the garlic!

And they would dine far better than at le Père Trin's, far better than at the English Restaurant in the Rue de la Madeleine – better than anywhere else on earth!

And after dinner, what coffee, roasted and ground on the spot, what pipes and cigarettes of "caporal," by the light of the three shaded lamps, while the rain beat against the big north window, and the wind went howling round the quaint old mediæval tower at the corner of the Rue Vieille des Mauvais Ladres (the old street of the bad lepers), and the damp logs hissed and crackled in the stove!

What jolly talk into the small hours! Thackeray and Dickens again, and Tennyson and Byron (who was "not dead yet" in those days); and Titian and Velasquez, and young Millais and Holman Hunt (just out); and Monsieur Ingres and Monsieur Delacroix, and Balzac and Stendhal and George Sand; and the good Dumas! and Edgar Allan Poe; and the glory that was Greece and the grandeur that was Rome…

Good, honest, innocent, artless prattle – not of the wisest, perhaps, nor redolent of the very highest culture (which, by-the-way, can mar as well as make), nor leading to any very practical result; but quite pathetically sweet from the sincerity and fervor of its convictions, a profound belief in their importance, and a proud trust in their life-long immutability.

Oh, happy days and happy nights, sacred to art and friendship! oh, happy times of careless impecuniosity, and youth and hope and health and strength and freedom – with all Paris for a playground, and its dear old unregenerate Latin quarter for a workshop and a home!

And, up to then, no kill-joy complications of love!

No, decidedly no! Little Billee had never known such happiness as this – never even dreamed of its possibility.

A day or two after this, our opening day, but in the afternoon, when the fencing and boxing had begun and the trapeze was in full swing, Trilby's "Milk below!" was sounded at the door, and she appeared – clothed this time in her right mind, as it seemed: a tall, straight, flat-backed, square-shouldered, deep-chested, full-bosomed young grisette, in a snowy frilled cap, a neat black gown and white apron, pretty faded, well-darned, brown stockings, and well-worn, soft, gray, square-toed slippers of list, without heels and originally shapeless; but which her feet, uncompromising and inexorable as boot-trees, had ennobled into everlasting classic shapeliness, and stamped with an unforgettable individuality, as does a beautiful hand its well-worn glove – a fact Little Billee was not slow to perceive, with a curious conscious thrill that was only half æsthetic.

Then he looked into her freckled face, and met the kind and tender mirthfulness of her gaze and the plucky frankness of her fine wide smile with a thrill that was not æsthetic at all (nor the reverse), but all of the heart. And in one of his quick flashes of intuitive insight he divined far down beneath the shining surface of those eyes (which seemed for a moment to reflect only a little image of himself against the sky beyond the big north window) a well of sweetness; and floating somewhere in the midst of it the very heart of compassion, generosity, and warm sisterly love; and under that – alas! at the bottom of all – a thin slimy layer of sorrow and shame. And just as long as it takes for a tear to rise and gather and choke itself back again, this sudden revelation shook his nervous little frame with a pang of pity, and the knightly wish to help. But he had no time to indulge in such soft emotions. Trilby was met on her entrance by friendly greetings on all sides.

"Tiens! c'est la grande Trilby!" exclaimed Jules Guinot through his fencing-mask. "Comment! t'es déjà debout après hier soir? Avons-nous assez rigolé chez Mathieu, hein? Crénom d'un nom, quelle noce! V'là une crémaillère qui peut se vanter d'être diantrement bien pendue, j'espère! Et la petite santé, c'matin?"

"Hé, hé! mon vieux," answered Trilby. "Ça boulotte, apparemment! Et toi? et Victorine? Comment qu'a s'porte à c't'heure? Elle avait un fier coup d'chasselas! c'est-y jobard, hein? de s'fich 'paf comme ça d'vant l'monde! Tiens, v'là, Gontran! ça marche-t-y, Gontran, Zouzou d'mon cœur?"

"Comme sur des roulettes, ma biche!" said Gontran, alias l'Zouzou – a corporal in the Zouaves. "Mais tu t'es donc mise chiffonnière, à présent? T'as fait banqueroute?"

(For Trilby had a chiffonnier's basket strapped on her back, and carried a pick and lantern.)

"Mais-z-oui, mon bon!" she said. "Dame! pas d'veine hier soir! t'as bien vu! Dans la dêche jusqu'aux omoplates, mon pauv' caporal-sous-off! nom d'un canon – faut bien vivre, s'pas?"