He struck out across Quien Sabe, his face, the face of an ascetic, lean, brown, infinitely sad, set toward the Mission church. In about an hour he reached and crossed the road that led northward from Guadalajara toward the Seed ranch, and, a little farther on, forded Broderson Creek where it ran through one corner of the Mission land. He climbed the hill and halted, out of breath from his brisk wall, at the end of the colonnade of the Mission itself.

Until this moment Vanamee had not trusted himself to see the Mission at night. On the occasion of his first daytime visit with Presley, he had hurried away even before the twilight had set in, not daring for the moment to face the crowding phantoms that in his imagination filled the Mission garden after dark. In the daylight, the place had seemed strange to him. None of his associations with the old building and its surroundings were those of sunlight and brightness. Whenever, during his long sojourns in the wilderness of the Southwest, he had called up the picture in the eye of his mind, it had always appeared to him in the dim mystery of moonless nights, the venerable pear trees black with shadow, the fountain a thing to be heard rather than seen.

But as yet he had not entered the garden. That lay on the other side of the Mission. Vanamee passed down the colonnade, with its uneven pavement of worn red bricks, to the last door by the belfry tower, and rang the little bell by pulling the leather thong that hung from a hole in the door above the knob.

But the maid-servant, who, after a long interval opened the door, blinking and confused at being roused from her sleep, told Vanamee that Sarria was not in his room. Vanamee, however, was known to her as the priest’s protege and great friend, and she allowed him to enter, telling him that, no doubt, he would find Sarria in the church itself. The servant led the way down the cool adobe passage to a larger room that occupied the entire width of the bottom of the belfry tower, and whence a flight of aged steps led upward into the dark. At the foot of the stairs was a door opening into the church. The servant admitted Vanamee, closing the door behind her.

The interior of the Mission, a great oblong of white-washed adobe with a flat ceiling, was lighted dimly by the sanctuary lamp that hung from three long chains just over the chancel rail at the far end of the church, and by two or three cheap kerosene lamps in brackets of imitation bronze. All around the walls was the inevitable series of pictures representing the Stations of the Cross. They were of a hideous crudity of design and composition, yet were wrought out with an innocent, unquestioning sincerity that was not without its charm. Each picture framed alike in gilt, bore its suitable inscription in staring black letters. “Simon, The Cyrenean, Helps Jesus to Carry His Cross.” “Saint Veronica Wipes the Face of Jesus.” “Jesus Falls for the Fourth Time,” and so on. Half-way up the length of the church the pews began, coffin-like boxes of blackened oak, shining from years of friction, each with its door; while over them, and built out from the wall, was the pulpit, with its tarnished gilt sounding-board above it, like the raised cover of a great hat-box. Between the pews, in the aisle, the violent vermilion of a strip of ingrain carpet assaulted the eye. Farther on were the steps to the altar, the chancel rail of worm-riddled oak, the high altar, with its napery from the bargain counters of a San Francisco store, the massive silver candlesticks, each as much as one man could lift, the gift of a dead Spanish queen, and, last, the pictures of the chancel, the Virgin in a glory, a Christ in agony on the cross, and St. John the Baptist, the patron saint of the Mission, the San Juan Bautista, of the early days, a gaunt grey figure, in skins, two fingers upraised in the gesture of benediction.

The air of the place was cool and damp, and heavy with the flat, sweet scent of stale incense smoke. It was of a vault-like stillness, and the closing of the door behind Vanamee reechoed from corner to corner with a prolonged reverberation of thunder.

However, Father Sarria was not in the church. Vanamee took a couple of turns the length of the aisle, looking about into the chapels on either side of the chancel. But the building was deserted. The priest had been there recently, nevertheless, for the altar furniture was in disarray, as though he had been rearranging it but a moment before. On both sides of the church and half-way up their length, the walls were pierced by low archways, in which were massive wooden doors, clamped with iron bolts. One of these doors, on the pulpit side of the church, stood ajar, and stepping to it and pushing it wide open, Vanamee looked diagonally across a little patch of vegetables—beets, radishes, and lettuce—to the rear of the building that had once contained the cloisters, and through an open window saw Father Sarria diligently polishing the silver crucifix that usually stood on the high altar. Vanamee did not call to the priest. Putting a finger to either temple, he fixed his eyes steadily upon him for a moment as he moved about at his work. In a few seconds he closed his eyes, but only part way. The pupils contracted; his forehead lowered to an expression of poignant intensity. Soon afterward he saw the priest pause abruptly in the act of drawing the cover over the crucifix, looking about him from side to side. He turned again to his work, and again came to a stop, perplexed, curious. With uncertain steps, and evidently wondering why he did so, he came to the door of the room and opened it, looking out into the night. Vanamee, hidden in the deep shadow of the archway, did not move, but his eyes closed, and the intense expression deepened on his face. The priest hesitated, moved forward a step, turned back, paused again, then came straight across the garden patch, brusquely colliding with Vanamee, still motionless in the recess of the archway.

Sarria gave a great start, catching his breath.

“Oh—oh, it’s you. Was it you I heard calling? No, I could not have heard—I remember now. What a strange power! I am not sure that it is right to do this thing, Vanamee. I—I HAD to come. I do not know why. It is a great force—a power—I don’t like it. Vanamee, sometimes it frightens me.”

Vanamee put his chin in the air.

“If I had wanted to, sir, I could have made you come to me from back there in the Quien Sabe ranch.”

The priest shook his head.

“It troubles me,” he said, “to think that my own will can count for so little. Just now I could not resist. If a deep river had been between us, I must have crossed it. Suppose I had been asleep now?” “It would have been all the easier,” answered Vanamee. “I understand as little of these things as you. But I think if you had been asleep, your power of resistance would have been so much the more weakened.”

“Perhaps I should not have waked. Perhaps I should have come to you in my sleep.”

“Perhaps.”

Sarria crossed himself. “It is occult,” he hazarded. “No; I do not like it. Dear fellow,” he put his hand on Vanamee’s shoulder, “don’t—call me that way again; promise. See,” he held out his hand, “I am all of a tremble. There, we won’t speak of it further. Wait for me a moment. I have only to put the cross in its place, and a fresh altar cloth, and then I am done. To-morrow is the feast of The Holy Cross, and I am preparing against it. The night is fine. We will smoke a cigar in the cloister garden.”

A few moments later the two passed out of the door on the other side of the church, opposite the pulpit, Sarria adjusting a silk skull cap on his tonsured head. He wore his cassock now, and was far more the churchman in appearance than when Vanamee and Presley had seen him on a former occasion.

They were now in the cloister garden. The place was charming. Everywhere grew clumps of palms and magnolia trees. A grapevine, over a century old, occupied a trellis in one angle of the walls which surrounded the garden on two sides. Along the third side was the church itself, while the fourth was open, the wall having crumbled away, its site marked only by a line of eight great pear trees, older even than the grapevine, gnarled, twisted, bearing no fruit. Directly opposite the pear trees, in the south wall of the garden, was a round, arched portal, whose gate giving upon the esplanade in front of the Mission was always closed. Small gravelled walks, well kept, bordered with mignonette, twisted about among the flower beds, and underneath the magnolia trees. In the centre was a little fountain in a stone basin green with moss, while just beyond, between the fountain and the pear trees, stood what was left of a sun dial, the bronze gnomon, green with the beatings of the weather, the figures on the half-circle of the dial worn away, illegible.

But on the other side of the fountain, and directly opposite the door of the Mission, ranged against the wall, were nine graves—three with headstones, the rest with slabs. Two of Sarria’s predecessors were buried here; three of the graves were those of Mission Indians. One was thought to contain a former alcalde of Guadalajara; two more held the bodies of De La Cuesta and his young wife (taking with her to the grave the illusion of her husband’s love), and the last one, the ninth, at the end of the line, nearest the pear trees, was marked by a little headstone, the smallest of any, on which, together with the proper dates—only sixteen years apart—was cut the name “Angele Varian.”

But the quiet, the repose, the isolation of the little cloister garden was infinitely delicious. It was a tiny corner of the great valley that stretched in all directions around it—shut off, discreet, romantic, a garden of dreams, of enchantments, of illusions. Outside there, far off, the great grim world went clashing through its grooves, but in here never an echo of the grinding of its wheels entered to jar upon the subdued modulation of the fountain’s uninterrupted murmur.

Sarria and Vanamee found their way to a stone bench against the side wall of the Mission, near the door from which they had just issued, and sat down, Sarria lighting a cigar, Vanamee rolling and smoking cigarettes in Mexican fashion.

All about them widened the vast calm night. All the stars were out. The moon was coming up. There was no wind, no sound. The insistent flowing of the fountain seemed only as the symbol of the passing of time, a thing that was understood rather than heard, inevitable, prolonged. At long intervals, a faint breeze, hardly more than a breath, found its way into the garden over the enclosing walls, and passed overhead, spreading everywhere the delicious, mingled perfume of magnolia blossoms, of mignonette, of moss, of grass, and all the calm green life silently teeming within the enclosure of the walls.

From where he sat, Vanamee, turning his head, could look out underneath the pear trees to the north. Close at hand, a little valley lay between the high ground on which the Mission was built, and the line of low hills just beyond Broderson Creek on the Quien Sabe. In here was the Seed ranch, which Angele’s people had cultivated, a unique and beautiful stretch of five hundred acres, planted thick with roses, violets, lilies, tulips, iris, carnations, tube-roses, poppies, heliotrope—all manner and description of flowers, five hundred acres of them, solid, thick, exuberant; blooming and fading, and leaving their seed or slips to be marketed broadcast all over the United States. This had been the vocation of Angele’s parents—raising flowers for their seeds. All over the country the Seed ranch was known. Now it was arid, almost dry, but when in full flower, toward the middle of summer, the sight of these half-thousand acres royal with colour—vermilion, azure, flaming yellow—was a marvel. When an east wind blew, men on the streets of Bonneville, nearly twelve miles away, could catch the scent of this valley of flowers, this chaos of perfume.

And into this life of flowers, this world of colour, this atmosphere oppressive and clogged and cloyed and thickened with sweet odour, Angele had been born. There she had lived her sixteen years. There she had died. It was not surprising that Vanamee, with his intense, delicate sensitiveness to beauty, his almost abnormal capacity for great happiness, had been drawn to her, had loved her so deeply.

She came to him from out of the flowers, the smell of the roses in her hair of gold, that hung in two straight plaits on either side of her face; the reflection of the violets in the profound dark blue of her eyes, perplexing, heavy-lidded, almond-shaped, oriental; the aroma and the imperial red of the carnations in her lips, with their almost Egyptian fulness; the whiteness of the lilies, the perfume of the lilies, and the lilies’ slender balancing grace in her neck. Her hands disengaged the odour of the heliotropes. The folds of her dress gave off the enervating scent of poppies. Her feet were redolent of hyacinths.

For a long time after sitting down upon the bench, neither the priest nor Vanamee spoke. But after a while Sarria took his cigar from his lips, saying:

“How still it is! This is a beautiful old garden, peaceful, very quiet. Some day I shall be buried here. I like to remember that; and you, too, Vanamee.”

“Quien sabe?”

“Yes, you, too. Where else? No, it is better here, yonder, by the side of the little girl.”

“I am not able to look forward yet, sir. The things that are to be are somehow nothing to me at all. For me they amount to nothing.”

“They amount to everything, my boy.”

“Yes, to one part of me, but not to the part of me that belonged to Angele—the best part. Oh, you don’t know,” he exclaimed with a sudden movement, “no one can understand. What is it to me when you tell me that sometime after I shall die too, somewhere, in a vague place you call Heaven, I shall see her again? Do you think that the idea of that ever made any one’s sorrow easier to bear? Ever took the edge from any one’s grief?”

“But you believe that–”

“Oh, believe, believe!” echoed the other. “What do I believe? I don’t know. I believe, or I don’t believe. I can remember what she WAS, but I cannot hope what she will be. Hope, after all, is only memory seen reversed. When I try to see her in another life—whatever you call it—in Heaven—beyond the grave—this vague place of yours; when I try to see her there, she comes to my imagination only as what she was, material, earthly, as I loved her. Imperfect, you say; but that is as I saw her, and as I saw her, I loved her; and as she WAS, material, earthly, imperfect, she loved me. It’s that, that I want,” he exclaimed. “I don’t want her changed. I don’t want her spiritualised, exalted, glorified, celestial. I want HER. I think it is only this feeling that has kept me from killing myself. I would rather be unhappy in the memory of what she actually was, than be happy in the realisation of her transformed, changed, made celestial. I am only human. Her soul! That was beautiful, no doubt. But, again, it was something very vague, intangible, hardly more than a phrase. But the touch of her hand was real, the sound of her voice was real, the clasp of her arms about my neck was real. Oh,” he cried, shaken with a sudden wrench of passion, “give those back to me. Tell your God to give those back to me—the sound of her voice, the touch of her hand, the clasp of her dear arms, REAL, REAL, and then you may talk to me of Heaven.”

Sarria shook his head. “But when you meet her again,” he observed, “in Heaven, you, too, will be changed. You will see her spiritualised, with spiritual eyes. As she is now, she does not appeal to you. I understand that. It is because, as you say, you are only human, while she is divine. But when you come to be like her, as she is now, you will know her as she really is, not as she seemed to be, because her voice was sweet, because her hair was pretty, because her hand was warm in yours. Vanamee, your talk is that of a foolish child. You are like one of the Corinthians to whom Paul wrote. Do you remember? Listen now. I can recall the words, and such words, beautiful and terrible at the same time, such a majesty. They march like soldiers with trumpets. ‘But some man will say’—as you have said just now—‘How are the dead raised up? And with what body do they come? Thou fool! That which thou sowest is not quickened except it die, and that which thou sowest, thou sowest not that body that shall be, but bare grain. It may chance of wheat, or of some other grain. But God giveth it a body as it hath pleased him, and to every seed his own body.... It is sown a natural body; it is raised a spiritual body.’ It is because you are a natural body that you cannot understand her, nor wish for her as a spiritual body, but when you are both spiritual, then you shall know each other as you are—know as you never knew before. Your grain of wheat is your symbol of immortality. You bury it in the earth. It dies, and rises again a thousand times more beautiful. Vanamee, your dear girl was only a grain of humanity that we have buried here, and the end is not yet. But all this is so old, so old. The world learned it a thousand years ago, and yet each man that has ever stood by the open grave of any one he loved must learn it all over again from the beginning.”

Vanamee was silent for a moment, looking off with unseeing eyes between the trunks of the pear trees, over the little valley.

“That may all be as you say,” he answered after a while. “I have not learned it yet, in any case. Now, I only know that I love her—oh, as if it all were yesterday—and that I am suffering, suffering, always.”

He leaned forward, his head supported on his clenched fists, the infinite sadness of his face deepening like a shadow, the tears brimming in his deep-set eyes. A question that he must ask, which involved the thing that was scarcely to be thought of, occurred to him at this moment. After hesitating for a long moment, he said:

“I have been away a long time, and I have had no news of this place since I left. Is there anything to tell, Father? Has any discovery been made, any suspicion developed, as to—the Other?”

The priest shook his head.

“Not a word, not a whisper. It is a mystery. It always will be.”

Vanamee clasped his head between his clenched fists, rocking himself to and fro.