Chapter VI

“Why don’t men and women really like one another nowadays?” Connie asked Tommy Dukes, who was more or less her oracle.

“Oh, but they do! I don’t think since the human species was invented, there has ever been a time when men and women have liked one another as much as they do today. Genuine liking! Take myself. I really like women better than men; they are braver, one can be more frank with them.”

Connie pondered this.

“Ah, yes, but you never have anything to do with them!” she said.

“I? What am I doing but talking perfectly sincerely to a woman at this moment?”

“Yes, talking…”

“And what more could I do if you were a man, than talk perfectly sincerely to you?”

“Nothing perhaps. But a woman…”

“A woman wants you to like her and talk to her, and at the same time love her and desire her; and it seems to me the two things are mutually exclusive.”

“But they shouldn’t be!”

“No doubt water ought not to be so wet as it is; it overdoes it in wetness. But there it is! I like women and talk to them, and therefore I don’t love them and desire them. The two things don’t happen at the same time in me.”

“I think they ought to.”

“All right. The fact that things ought to be something else than what they are, is not my department.

Connie considered this. “It isn’t true,” she said. “Men can love women and talk to them. I don’t see how they can love them without talking, and being friendly and intimate. How can they?”

“Well,” he said, “I don’t know. What’s the use of my generalizing? I only know my own case. I like women, but I don’t desire them. I like talking to them; but talking to them, though it makes me intimate in one direction, sets me poles apart from them as far as kissing is concerned. So there you are! But don’t take me as a general example, probably I’m just a special case: one of the men who like women, but don’t love women, and even hate them if they force me into a pretence of love, or an entangled appearance.

“But doesn’t it make you sad?”

“Why should it? Not a bit! I look at Charlie May, and the rest of the men who have affairs…No, I don’t envy them a bit! If fate sent me a woman I wanted, well and good. Since I don’t know any woman I want, and never see one…why, I presume I’m cold, and really like some women very much.”

“Do you like me?”

“Very much! And you see there’s no question of kissing between us, is there?”

“None at all!” said Connie. “But oughtn’t there to be?”

“Why, in God’s name? I like Clifford, but what would you say if I went and kissed him?”

“But isn’t there a difference?”

“Where does it lie, as far as we’re concerned? We’re all intelligent human beings, and the male and female business is in abeyance. Just in abeyance. How would you like me to start acting up like a continental male at this moment, and parading the sex thing?”

“I should hate it.”

“Well then! I tell you, if I’m really a male thing at all, I never run across the female of my species. And I don’t miss her, I just like women. Who’s going to force me into loving or pretending to love them, working up the sex game?”

“No, I’m not. But isn’t something wrong?”

“You may feel it, I don’t.”

“Yes, I feel something is wrong between men and women. A woman has no glamour for a man any more.”

“Has a man for a woman?”

She pondered the other side of the question.

“Not much,” she said truthfully.

“Then let’s leave it all alone, and just be decent and simple, like proper human beings with one another. Be damned to the artificial sex-compulsion! I refuse it!”

Connie knew he was right, really. Yet it left her feeling so forlorn, so forlorn and stray. Like a chip on a dreary pond, she felt. What was the point, of her or anything?

It was her youth which rebelled. These men seemed so old and cold. Everything seemed old and cold. And Michaelis let one down so; he was no good. The men didn’t want one; they just didn’t really want a woman, even Michaelis didn’t.

And the bounders who pretended they did, and started working the sex game, they were worse than ever.

It was just dismal, and one had to put up with it. It was quite true, men had no real glamour for a woman: if you could fool yourself into thinking they had, even as she had fooled herself over Michaelis, that was the best you could do. Meanwhile you just lived on and there was nothing to it. She understood perfectly well why people had cocktail parties, and jazzed, and charlestoned till they were ready to drop. You had to take it out some way or other, your youth, or it ate you up. But what a ghastly thing, this youth! You felt as old as Methuselah^[36], and yet the thing fizzed somehow, and didn’t let you be comfortable. A mean sort of life! And no prospect! She almost wished she had gone off with Mick, and made her life one long cocktail party, and jazz evening. Anyhow that was better than just mooning yourself into the grave.

On one of her bad days she went out alone to walk in the wood, ponderously, heeding nothing, not even noticing where she was. The report of a gun not far off startled and angered her.

Then, as she went, she heard voices, and recoiled. People! She didn’t want people. But her quick ear caught another sound, and she roused; it was a child sobbing. At once she attended; someone was ill-treating a child. She strode swinging down the wet drive, her sullen resentment uppermost. She felt just prepared to make a scene.

Turning the corner, she saw two figures in the drive beyond her: the keeper, and a little girl in a purple coat and moleskin cap, crying.

“Ah, shut it up, tha false little bitch!” came the man’s angry voice, and the child sobbed louder.

Constance strode nearer, with blazing eyes. The man turned and looked at her, saluting coolly, but he was pale with anger.

“What’s the matter? Why is she crying?” demanded Constance, peremptory but a little breathless.

A faint smile like a sneer came on the man’s face. “Nay, yo mun ax’ er,” he replied callously, in broad vernacular.

Connie felt as if he had hit her in the face, and she changed colour. Then she gathered her defiance, and looked at him, her dark blue eyes blazing rather vaguely.

“I asked you,” she panted.

He gave a queer little bow, lifting his hat. “You did, your Ladyship,” he said; then, with a return to the vernacular: “but I canna tell yer.” And he became a soldier, inscrutable, only pale with annoyance.

Connie turned to the child, a ruddy, black-haired thing of nine or ten. “What is it, dear? Tell me why you’re crying!” she said, with the conventionalized sweetness suitable. More violent sobs, self-conscious. Still more sweetness on Connie’s part.

“There, there, don’t you cry! Tell me what they’ve done to you!”…an intense tenderness of tone. At the same time she felt in the pocket of her knitted jacket, and luckily found a sixpence.

“Don’t you cry then!” she said, bending in front of the child. “See what I’ve got for you!”

Sobs, snuffles, a fist taken from a blubbered face, and a black shrewd eye cast for a second on the sixpence. Then more sobs, but subduing. “There, tell me what’s the matter, tell me!” said Connie, putting the coin into the child’s chubby hand, which closed over it.

“It’s the…it’s the…pussy!”

Shudders of subsiding sobs.

“What pussy, dear?”

After a silence the shy fist, clenching on sixpence, pointed into the bramble brake.

“There!”

Connie looked, and there, sure enough, was a big black cat, stretched out grimly, with a bit of blood on it.

“Oh!” she said in repulsion.

“A poacher, your Ladyship,” said the man satirically.

She glanced at him angrily. “No wonder the child cried,” she said, “if you shot it when she was there. No wonder she cried!”

He looked into Connie’s eyes, laconic, contemptuous, not hiding his feelings. And again Connie flushed; she felt she had been making a scene, the man did not respect her.

“What is your name?” she said playfully to the child. “Won’t you tell me your name?”

Sniffs; then very affectedly in a piping voice: “Connie Mellors!”

“Connie Mellors! Well, that’s a nice name! And did you come out with your Daddy, and he shot a pussy? But it was a bad pussy!”

The child looked at her, with bold, dark eyes of scrutiny, sizing her up, and her condolence.

“I wanted to stop with my Gran,” said the little girl.

“Did you? But where is your Gran?”

The child lifted an arm, pointing down the drive. “At th’ cottidge.”

“At the cottage! And would you like to go back to her?”

Sudden, shuddering quivers of reminiscent sobs. “Yes!”

“Come then, shall I take you? Shall I take you to your Gran? Then your Daddy can do what he has to do.” She turned to the man. “It is your little girl, isn’t it?”

He saluted, and made a slight movement of the head in affirmation.

“I suppose I can take her to the cottage?” asked Connie.

“If your Ladyship wishes.”

Again he looked into her eyes, with that calm, searching detached glance. A man very much alone, and on his own.

“Would you like to come with me to the cottage, to your Gran, dear?”

The child peeped up again. “Yes!” she simpered.

Connie disliked her; the spoilt, false little female. Nevertheless she wiped her face and took her hand. The keeper saluted in silence.

“Good morning!” said Connie.

It was nearly a mile to the cottage, and Connie senior was well bored by Connie junior by the time the game-keeper’s picturesque little home was in sight. The child was already as full to the brim with tricks as a little monkey, and so self-assured.

At the cottage the door stood open, and there was a rattling heard inside. Connie lingered, the child slipped her hand, and ran indoors.

“Gran! Gran!”

“Why, are yer back a’ready!”

The grandmother had been blackleading the stove, it was Saturday morning. She came to the door in her sacking apron, a blacklead-brush in her hand, and a black smudge on her nose. She was a little, rather dry woman.

“Why, whatever?” she said, hastily wiping her arm across her face as she saw Connie standing outside.

“Good morning!” said Connie. “She was crying, so I just brought her home.”

The grandmother looked around swiftly at the child:

“Why, wheer was yer Dad?”

The little girl clung to her grandmother’s skirts and simpered.

“He was there,” said Connie, “but he’d shot a poaching cat, and the child was upset.”

“Oh, you’d no right t’ave bothered, Lady Chatterley, I’m sure! I’m sure it was very good of you, but you shouldn’t ’ave bothered. Why, did ever you see!” – and the old woman turned to the child: “Fancy Lady Chatterley takin’ all that trouble over yer! Why, she shouldn’t ’ave bothered!”

“It was no bother, just a walk,” said Connie smiling.

“Why, I’m sure ’twas very kind of you, I must say! So she was crying! I knew there’d be something afore they got far. She’s frightened of ’im, that’s wheer it is. Seems ’e’s almost a stranger to ’er, fair a stranger, and I don’t think they’re two as’d hit it off very easy. He’s got funny ways.”

Connie didn’t know what to say.

“Look, Gran!” simpered the child.

The old woman looked down at the sixpence in the little girl’s hand.

“An sixpence an all! Oh, your Ladyship, you shouldn’t, you shouldn’t. Why, isn’t Lady Chatterley good to yer! My word, you’re a lucky girl this morning!”

She pronounced the name, as all the people did: Chat’ley. – Isn’t Lady Chat’ley good to you! – Connie couldn’t help looking at the old woman’s nose, and the latter again vaguely wiped her face with the back of her wrist, but missed the smudge.

Connie was moving away “Well, thank you ever so much, Lady Chat’ley, I’m sure. Say thank you to Lady Chat’ley!” – this last to the child.

“Thank you,” piped the child.

“There’s a dear!” laughed Connie, and she moved away, saying “Good morning”, heartily relieved to get away from the contact.

Curious, she thought, that that thin, proud man should have that little, sharp woman for a mother!

And the old woman, as soon as Connie had gone, rushed to the bit of mirror in the scullery, and looked at her face. Seeing it, she stamped her foot with impatience. “Of course she had to catch me in my coarse apron, and a dirty face! Nice idea she’d get of me!”

Connie went slowly home to Wragby. “Home!”…it was a warm word to use for that great, weary warren. But then it was a word that had had its day. It was somehow cancelled. All the great words, it seemed to Connie, were cancelled for her generation: love, joy, happiness, home, mother, father, husband, all these great, dynamic words were half dead now, and dying from day to day. Home was a place you lived in, love was a thing you didn’t fool yourself about, joy was a word you applied to a good Charleston, happiness was a term of hypocrisy used to bluff other people, a father was an individual who enjoyed his own existence, a husband was a man you lived with and kept going in spirits. As for sex, the last of the great words, it was just a cocktail term for an excitement that bucked you up for a while, then left you more raggy than ever. Frayed! It was as if the very material you were made of was cheap stuff, and was fraying out to nothing.

All that really remained was a stubborn stoicism: and in that there was a certain pleasure. In the very experience of the nothingness of life, phase after phase, étape after étape, there was a certain grisly satisfaction. So that’s that! Always this was the last utterance: home, love, marriage, Michaelis: So that’s that! And when one died, the last words to life would be: So that’s that!

Money? Perhaps one couldn’t say the same there. Money one always wanted. Money, Success, the bitch-goddess, as Tommy Dukes persisted in calling it, after Henry James^[37], that was a permanent necessity. You couldn’t spend your last sou, and say finally: So that’s that! No, if you lived even another ten minutes, you wanted a few more sous for something or other. Just to keep the business mechanically going, you needed money. You had to have it. Money you have to have. You needn’t really have anything else. So that’s that!

Since, of course, it’s not your own fault you are alive. Once you are alive, money is a necessity, and the only absolute necessity. All the rest you can get along without, at a pinch. But not money. Emphatically, that’s that!