This noble walk is covered with fine gravel, and has cavities, with dreins, to carry off all the water; so that let it rain as it will, not a drop of it is seen to rest on the walk, but it is dry, hard, and fit to walk on immediately. The breadth of this walk is very spacious on the north side, on the east side it is narrower; but neither at Versailles, or at any of the royal palaces in France, or at Rome, or Naples, have I ever seen any thing like it. The grand seignior’s terrace in the outer court of the Seraglio, next the sea, is the nearest to it, that I have read of, and yet not equal to it, if I may believe the account of those who have seen it; for that, I acknowledge, I have not seen. At the northeast corner of this terrace, where it turns south, to run on by the east side of the castle, there are steps, by which you go off upon the plain of the park, which is kept smooth as a carpet, and on the edge of which, the prospect of the terrace is doubled by a vista, south over the park, and quite up to the great park, and towards the forest. Here also is a small seat, fit for one, or but two at the most, with a high back, and cover for the head, which turns so easily, the whole being fix’d on a pin of iron, or brass, of strength sufficient, that the persons who sit in it, may turn it from the wind, and which way soever the wind blows, or how hard soever, yet they may sit in a perfect tranquillity, and enjoy a compleat calm. This is said also, to be Queen Elizabeth’s own invention, who, though she delighted in being abroad in the air, yet hated to be ruffled with the wind. It is also an admirable contrivance for the person sitting in it, to shelter himself from the sun.

This lofty terrace makes the castle quite another thing, and gives an egress to the people within to the park, and to a most beautiful walk, which King Edward III. nor his successors for some hundreds of years, knew nothing of, all their prospect being from the windows of the castle.

On that side of the building which looks out upon the terrace, are all the royal apartments, King Edward Ill’s were on the east side. The east side is now allotted to great officers of state, who are obliged to attend whenever the Court removes to Windsor, such as the Lord Treasurers, Secretaries of State, Lord High Chancellor, Lord Archbishop of Canterbury, and the like; and below they have proper offices for business, if they please to order any to be done there.

You mount into the royal apartments, by several back stairs; but the publick way is up a small ascent to a flat, or half pace (for I love to make my account speak English) where there are two entries of state, by two large stair-cases, one on the left hand to the royal apartments, and the other, on the right, to St. George’s -Hall, and the royal chapel.

Before the enterance to these, on either side, you pass through the guard chambers, where you see the walls furnished with arms, and the king’s Beef-eaters, as they call the yeomen of the guard, keep their station, or, as it may be called, their main guard. These rooms lead either way, towards the fine lodgings, or towards St. George’s Hall, which you please.

In the royal lodgings, there have been so many alterations of furniture, that there can be no entering upon the particular description. In one of those lodgings, the late Queen Mary set up a rich atlas, and chints bed, which, in those times, was invaluable, the chints being of Masslapatan, on the coast of Coromandel, the finest that was ever seen before that time in England; but the rate of those things have suffered much alteration since that time. Also here was, some time before that, the picture of the late Dutchess of Portsmouth at full length, a noble piece, and of which ’twas said, King Charles II. should say, ’Twas the finest painting, of the finest woman in Christendom; but our English ladies of Queen Mary’s court, were of another opinion, and the Gallery of Beauties, as it was called, which her majesty placed in the water gallery at Hampton Court, shews several as good faces, and as good painting.

In the chimney-piece of one of these apartments, is a piece of needle-work exquisitely fine, performed, as they say, by the Queen of Scots, during the time of her confinement in Fotheringay Castle. There are several family pieces in the chimney-pieces, and other parts of those lodgings, that are valuable, because of the persons they represent: But the finery of painting is to come.

These rooms look all out north towards the terrace, and over part of the finest, and richest, vale in the world; for the same vale attending the course of the River Thames, with very little interruption, reaches to, and includes the city of London east, and the city of Oxford west: The river, with a winding, and beautiful stream, gliding gently through the middle of it, and inriching by its navigation, both the land and the people on every side.

It must be confess’d, that, as William the Conqueror expresses it in his letter to the monks at Windsor, it was a place fit for the entertainment of kings, so it is; for it seems, by nature, to be formed for a palace; and for delight; all kinds of pleasure and convenience, that any country, at least in England, can afford, are to be found here.

It may be proper here to say something to the beauties and ornaments of St. George’s Hall, though nothing can be said equal to what the eye would be witness to; ’tis surprizing, at the first entrance, to see at the upper end, the picture of King William on horseback, under him, an ascent with marble steps, a balustrade, and a half pace, which, formerly, was actually there, with room for a throne, or chair of state, for the sovereign to sit on, when on publick days he thought fit to appear in ceremony.

No man that had seen the former steps or ascent, and had gone up to the balustrade and throne, as I had done, could avoid supposing, they were there still; and as on a casual view, having been absent some years out of the nation, I was going forward towards the end of the hall, intending to go up the steps, as I had done formerly, I was confounded, when I came nearer, to see that the ascent was taken down, the marble steps gone, the chair of state, or throne, quite away, and that all I saw, was only painted upon the wall below the king and his horse; indeed it was so lively, so bright, so exquisitely performed, that I was perfectly deceived, though I had some pretension to judgment in pictures too; nor was my eye alone deceived, others were under the same deception, who were then with me.

When I came to the farther end, and look’d from the throne, as I called it, down the hall. I was again surprized, though most agreeably, I confess, viz. The painting on the side of the hall, which was the representation of Prince Edward’s triumph, in imitation of Caesar’s glorious entry into Rome, and which was drawn marching from the lower end of the room, to the upper, that is to say, from the door, which is in the corner on the north side of the hall, was now wholly inverted, and the same triumph was performed again; but the march turned just the other way.

That this could be done no other way, but by wiping the whole work out, and painting it all over again, was easy to conclude, seeing it was not done upon cloth, but upon the mere plaister of the wall, as appeared by the salts of the lime in the wall, having work’d out, and spoiled a great piece of the paint; besides, the nature of the thing forbids; for if it had been a canvas, turning it would have been impracticable, for then all the imagery would have stood heels up, unless it had been carried on to the directly opposite part of the hall, and that could not be, because there were the windows, looking all into the inner court of the castle.

The first painting was done by Mr. Varrio, who, after finishing this work, was entertained for 12 years at Burley House, near Stamford, by that great lover of art, and particularly of fine painting, the Earl of Excester: After which King William entertained him again, and, as they told me, he performed this second painting of the hall, with greater mastership of hand, than he had done the first. The painting of the cielings generally remain, being finished by the same hand in a most exquisite manner at first.

At the west end of the hall, is the chapel royal, the neatest and finest of the kind in England; the carv’d work is beyond any that can be seen in England, the altar-piece is that of the institution, or, as we may call it, our Lord’s first supper. I remember, that going with some friends to shew them this magnificent palace, it chanced to be at the time when the Dissenters were a little uneasy at being obliged to kneel at the Sacrament; one of my friends, who, as I said, I carried to see Windsor Castle, was a Dissenter, and when he came into the chapel, he fix’d his eyes upon the altar-piece with such a fix’d, steady posture, and held it so long, that I could not but take notice of it, and asked him, Whether it was not a fine piece? Yes, says he, it is; but, whispering to me, he added, How can your people prosecute us for refusing to kneel at the Sacrament? Don’t you see there, that though our Saviour himself officiates, they are all sitting about the table?

I confess it surprized me, and, at first, I knew not what answer to make to him; but I told him, That was not a place for him and I to dispute it, we would talk of it afterwards, and so we did, but brought it to no conclusion, so ’tis needless to mention it any more here.

After we had spent some hours in viewing all that was curious on this side, we came down to the dungeon, or Round Tower, which goes up a long, but easy, ascent of steps, and is very high. Here we were obliged to deliver up our swords, but no where else.

There is nothing curious here: The governor, or constable’s lodgings, are very well, and neatly furnished, but nothing extraordinary, especially they will not look so, after seeing the fine lodgings, as above. From this tower, you see St. Paul’s Cathedral at London, very plainly: Coming down from hence, we came into the other court, where is the great Chapel of the Garter, and the house or college for the poor knights, as they are called.

The late Duke of Northumberland, who was constable of this castle, met with a very strange, and uncommon accident in coming hither from Stanes in his coach; for being benighted, as we call it in England, the night also very dark, and passing by a place where there are some houses, tho’ not a town, and where the road goes close to the river, whether his coachman did not see the water, or mistook it for the water in the road, I know not, but he plunged in the horses, coach and all, into the river, and at a place where the water was exceeding deep, and the bank steep; so that if help had not come immediately from a gentleman’s house, which was close to the road, the servants crying out loud enough to alarm them, his grace, and a gentleman who was in the coach with him, had unavoidably perished; and, as it was, he was a considerable time under water, so that he was in the extremity of danger.

I might go back here to the history of the Order of the Garter, the institution of which by King Edward III. not only had its original here, but seems to be seated here, as a native of the place; and that this is the place where the ceremonies of it, the instalments, feasts, &c. are always to be performed: But this is done so fully in other authors, and by so many, that it would be falling into that error, which I condemn in others, and making my accounts be, what I resolved, from the beginning, they should not be; namely, A copy of other men’s performances. I shall only give you out of Mr. Ashmole, a list of the first knights who had the honour of this Order, and who have been succeeded by so many kings, dukes, and sovereign princes abroad, as well as noble-men, and peers of this kingdom at home. The names of the first knights are as follow.

It is true, these were not all noble-men, that is to say, not all peers, neither does the institution confine the order to such; but ’tis certain, they were all men of great characters and stations, either in the army, or in the civil administration, and such as the sovereign did not think it below him to make his companions; for so they are called.

The lower court, as I mentioned, of the castle, though not so beautiful, for the stately lodgings, rooms of state, &c. is particularly glorious for this fine chapel of the Order, a most beautiful and magnificent work, and which shews the greatness, not only of the Court in those days, but the spirit and genius of the magnanimous founder. The chapel is not only fine within, but the workmanship without is extraordinary; nothing so antient is to be seen so very beautiful. The chapel of St. Stephen’s in Westminster-Abby, called Henry VIIth’s Chapel, and King’s College Chapel at Cambridge, built by Henry VI. are fine buildings; but they are modern, compared to this, which was begun, as by the inscribed dates upon the works appears, in the year 1337.

The coats of arms, and the various imagery &c. even inside and outside, not only of the king, but of several of the first Knights Companions, are most admirably finished, and the work has stood out the injury of time to admiration; the beauty of the building remains without any addition, and, indeed, requiring none.

’Tis observable, that King Edward owns this chapel was begun by his ancestors, and some think it was by King Edward I. and that he himself was baptized in it, and that there was a castle built by William the Conqueror also: As to the chapel, which was then called a church, or a convent, King Edward III. did not pull down the old building intirely, but he added all the choir to the first model, and several other proper parts for the purposes intended; as houses and handsome apartments for the canons, dignitaries, and other persons belonging to the church, which are generally situated on the north side of the square, out of sight, or rather skreen’d from the common view by the church itself, which dwellings are, notwithstanding, very good, and well accommodated for the persons who are possessors of them; then the king finished it in the manner we now see it: As for the old castle, the building of William the Conqueror, the king pulled it intirely down, even to the very foundation, forming a new building according to the present plan, and which stood, as above, to the time of King Charles II. without any alteration.

The establishment for this chapel was very considerable, by the donation of divers subjects, before it was set apart to be the chapel of the Order; the Duke of Suffolk in particular, as appears in Dugdale’s Monasticon, gave near three thousand acres of land, nineteen manors, one hundred seventy messuages and tofts, and several advowsons of churches to it, which, with other gifts afterwards, made the revenue above one thousand pounds a year in those days, which was a prodigious sum, as money went at that time.

In the choir are the stalls for the knights of the Order, with a throne for the sovereign; also stalls in the middle of it for the poor knights pensioners, who live in their house or hospital on the south side of the square or court which the church stands in.

Here are to be seen, the banners of the knights who now enjoy the honour of the Garter: When they die, those banners are taken down, and the coat of arms of the deceased knight set up in the place allotted for those arms over the same stall, so that those coats of arms are a living history, or rather a record of all the knights that ever have been since the first institution of the Order, and how they succeeded one another; by which it appears, that kings, emperors and sovereign princes, have not thought it below them to accept of the honour of being Knights Companions of this Order; while, at the same time, it must be noted to the honour of the English Crown, that our kings have never thought fit to accept of any of their Orders abroad, of what kind soever, whether Popish or Protestant; that of the Cordon Blue, or the Cordon Blanc, the Cordon Noir, or the Cordon Rouge, the Golden Fleece of Spain, the Holy Ghost of France, or the Black Eagle of Prussia, or any other; whereas of the Garter, there is an account by the register of the Order, that there are reckoned up of this most noble company,

Several kings, and persons of high rank have been buried also in this chapel; as Edward IV. and Charles I. Also here is the family repository, or burying ground of the Dukes of Beauford, who are a natural branch of the royal family, by the antient House of Lancaster; and in the chapel where the vault is there is a very noble monument of the last duke save one.

All the ceremonies observed here in the installment of the knights, are so perfectly and fully set down in Mr. Ashmole’s History of the Order of the Garter, that nothing can be said, but what must be a copy from him, which, as above, I studiously decline, and therefore refer you to him.

Besides the foreign princes, Companions of this famous Order as above; there is a little gallaxie of English nobility, the flower of so many Courts, and so many ages, to whose families the ensigns of the Order have been an honour, and who are not the least of the honour this Order has to boast of.

In the first institution, there was but one duke, namely, the great Duke of Lancaster; but as that order of nobility is since much increased in England, since the days of King Edward III. so in the present list of knights, we find no less than fifteen dukes, including the Prince of Wales, who is also Duke of Cornwall. The list of the present knights are as follow, viz.

As the upper court and building are fronted with the fine terrace as above, so the lower court, where this fine chapel stands, is walled round with a very high wall, so that no buildings, if there was room for any, could overlook it, which wall goes round the west end of the court to the gate, which looking south, leads into the town, as the gate of the upper court looks likewise S. E. into the park, which they call the Little Park.