THE ORIGIN OF PUNNING: FROM PLATO'S SYMPOSIACKS

BY DR. SHERIDAN

Once on a time in merry mood,
Jove made a Pun of flesh and blood:
A double two-faced living creature,
Androgynos, of two-fold nature,
For back to back with single skin
He bound the male and female in;
So much alike, so near the same,
They stuck as closely as their name.
Whatever words the male exprest,
The female turn'd them to a jest;
Whatever words the female spoke,
The male converted to a joke:
So, in this form of man and wife
They led a merry punning life.
The gods from heaven descend to earth,
Drawn down by their alluring mirth;
So well they seem'd to like the sport,
Jove could not get them back to court.
Th' infernal gods ascend as well,
Drawn up by magic puns from hell.
Judges and furies quit their post,
And not a soul to mind a ghost.
'Heyday!' says Jove: says Pluto too,
'I think the Devil's here to do;
Here's hell broke loose, and heaven's quite empty;
We scarce have left one god in twenty.
Pray what has set them all a-running? —
'Dear brother, nothing else but punning.
Behold that double creature yonder
Delights them with a double entendre.'
'Odds-fish,' says Pluto, 'where's your thunder?
Let's drive, and split this thing asunder!'
'That's right,' quoth Jove; with that he threw
A bolt, and split it into two;
And when the thing was split in twain,
Why then it punn'd as much again.
''Tis thus the diamonds we refine,
The more we cut, the more they shine;
And ever since your men of wit,
Until they're cut, can't pun a bit.
So take a starling when 'tis young,
And down the middle slit the tongue,
With groat or sixpence, 'tis no matter,
You'll find the bird will doubly chatter.
'Upon the whole, dear Pluto, you know,
'Tis well I did not slit my Juno!
For, had I done't, whene'er she'd scold me,
She'd make the heavens too hot to hold me.'
The gods, upon this application,
Return'd each to his habitation,
Extremely pleas'd with this new joke;
The best, they swore, he ever spoke.

ARS PUN-ICA, SIVE FLOS LINGUARUM;
THE ART OF PUNNING,

OR,

THE FLOWER OF LANGUAGES:

IN SEVENTY-NINE RULES:

FOR THE FURTHER IMPROVEMENT OF CONVERSATION,

AND HELP OF MEMORY

BY THE

LABOUR AND INDUSTRY OF TOM PUN-SIBI

"Ex ambiguâ dictâ vel argutissima putantur; sed non semper in joco, sæpe etiam in gravitate versantur. Ingeniosi enim videtur, vim verbi in aliud atque cæteri accipiant, posse ducere."

Cicero, de Oratore, Lib. ii. § 61, 2.

TO

THE RIGHT HONOURABLE

SIR JOHN SCRUB, BART

AND WINE-MERCHANT,

THIS DEDICATION IS HUMBLY PRESENTED BY THE AUTHOR

Your honour's character is too well known in the world to stand in need of a dedication; but I can tell you, that my fortune is not so well settled but I stand in need of a patron. And therefore, since I am to write a dedication, I must, for decency, proceed in the usual method.

First, I then proclaim to the world your high and illustrious birth: that you are, by the father's side, descended from the most ancient and celebrated family of Rome, the Cascas; by the mother's, from Earl Percy. Some indeed have been so malicious as to say, your grandmother kill'd-her-kin: but, I think if the authors of the report were found out, they ought to be hampered. I will allow that the world exclaims deservedly against your mother, because she is no friend to the bottle; otherwise they would deserve a firkin, as having no grounds for what they say. However, I do not think it can sully your fine and bright reputation; for the credit you gained at the battle of Hogshed, against the Duke of Burgundy, who felt no sham-pain, when you forced him to sink beneath your power, and gave his whole army a brush, may in time turn to your account; for, to my knowledge, it put his highness upon the fret. This indeed was no less racking to the king his master, who found himself gross-lee mistaken in catching a tartar. For the whole world allowed, that you brought him a peg lower, by giving him the parting-blow, and making all his rogues in buckram to run. Not to mention your great a-gillity, though you are past your prim-age; and may you never lack-age, with a sparkling wit, and brisk imagination! May your honour also wear long, beyond the common scantling of human life, and constantly proceed in your musical diversions of pipe and sack-but, hunting with tarriers, &c. and may your good humour in saying, "I am-phor-a-bottle," never be lost to the joy of all them that drink your wine for nothing, and especially of,

Your humble servant,
Tom Pun-Sibi.

A SPECIMEN;

A SPICE I MEAN

PREFACE

Hæe nos, ab imis Pun-icorum annalibus
Prolata, longo tempore edidimus tibi.Fest.

I've raked the ashes of the dead, to show
Puns were in vogue five thousand years ago.

The great and singular advantages of Punning, and the lustre it gives to conversation, are commonly so little known in the world, that scarce one man of learning in fifty, to their shame be it spoken, appears to have the least tincture of it in his discourse. This I can impute to nothing but that it hath not been reduced to a science; and indeed Cicero seemed long ago to wish for it, as we may gather from his second book de Oratore¹, where he has this remarkable passage: "Suavis autem est et vehementer sæpe utilis jocus et facetiæ cum ambiguitate – in quibus tu longè aliis meâ sententiâ, Cæsar, excellis: quo magìs mihi etiam testis esse potes, aut nullam esse artem salis, aut, si qua est, eam nos tu potissimum docebis." "Punning is extremely delightful, and oftentimes very profitable; in which, as far as I can judge, Cæsar, you excel all mankind; for which reason you may inform me, whether there be any art of Punning; or, if there be, I beseech you, above all things, to instruct me in it." So much was this great man affected with the art, and such a noble idea did he conceive of it, that he gave Cæsar the preference to all mankind, only on account of that accomplishment!

Let critics say what they will, I will venture to affirm, that Punning, of all arts and sciences, is the most extraordinary: for all others are circumscribed by certain bounds; but this alone is found to have no limits, because to excel therein requires a more extensive knowledge of all things. A Punner must be a man of the greatest natural abilities, and of the best accomplishments: his wit must be poignant and fruitful, his understanding clear and distinct, his imagination delicate and cheerful; he must have an extraordinary elevation of soul, far above all mean and low conceptions; and these must be sustained with a vivacity fit to express his ideas, with that grace and beauty, that strength and sweetness, which become sentiments so truly noble and sublime.

And now, lest I should be suspected of imposing upon my reader, I must entreat him to consider how high Plato has carried his sentiments of this art (and Plato is allowed by all men to have seen farther into Heaven than any Heathen either before or since). Does not he say positively, in his Cratylus, "Jocos et Dii amant," the gods themselves love Punning? which I am apt to believe from Homer's ἂσβεστος γἑλως, unextinguished laughter; because there is no other motive could cause such continued merriment among the gods.

As to the antiquity of this art, Buxtorf proves it to be very early among the Chaldeans; which any one may see at large, who will read what he says upon the word ציךז Pun, Vocula est Chaldæis familiarissima, &c. "It is a word that is most frequently in use among the Chaldeans," who were first instructed in the methods of punning by their magi, and gained such reputation, that Ptolemæus Philo-punnæus sent for six of those learned priests, to propagate their doctrine of puns in six of his principal cities; which they did with such success, that his majesty ordered, by public edict, to have a full collection of all the puns made within his dominions for three years past; and this collection filled one large apartment of his library, having this following remarkable inscription over the door:

Ἱκτϛειον ψυχης,

"The shop of the soul's physic²."

Some authors, but upon what ground it is uncertain, will have Pan, who in the Æolic dialect is called Pun, to be the author of Puns, because, they say, Pan being the god of universal nature, and Punning free of all languages, it is highly probable that it owes its first origin, as well as name, to this god: others again attribute it to Janus, and for this reason – Janus had two faces; and of consequence they conjectured every word he spoke had a double meaning. But, however, I give little credit to these opinions, which I am apt to believe were broached in the dark and fabulous ages of the world; for I doubt, before the first Olympiad, there can be no great dependence upon profane history.

I am much more inclined to give credit to Buxtorf; nor is it improbable that Pythagoras, who spent twenty-eight years at Egypt in his studies, brought this art, together with some arcana of philosophy, into Greece; the reason for which might be, that philosophy and punning were a mutual assistance to each other: "For," says he, "puns are like so many torch-lights in the head, that give the soul a very distinct view of those images, which she before seemed to grope after as if she had been imprisoned in a dungeon." From whence he looked upon puns to be so sacred, and had such a regard to them, that he left a precept to his disciples, forbidding them to eat beans, because they were called in Greek πυννοι. "Let not," says he, "one grain of the seeds be lost; but preserve and scatter them over all Greece, that both our gardens and our fields may flourish with a vegetable, which, on account of its name, not only brings an honour to our country, but, as it disperses its effluvia in the air, may also, by a secret impulse, prepare the soul for punning, which I esteem the first and great felicity of life."

This art being so very well recommended by so great a man, it was not long before it spread through all Greece, and at last was looked upon to be such a necessary accomplishment, that no person was admitted to a feast who was not first examined, and if he were found ignorant of punning, he was dismissed with Ἑκἁς ἑϛε, βἑζηλοι, "Hence, ye profane!"

If any one doubts the truth of what I say, let him consult the apophthegms of Plutarch, who, after he had passed several encomiums upon this art, gives some account of persons eminent in it; among which (to shorten my preface) I choose one of the most illustrious examples, and will entertain the courteous reader with the following story: "King Philip had his collar-bone broken in a battle; and his physician expecting money of him every visit, the king reproved him with a pun, saying he had the key in his own hands." For the word κλἑεις, in the original, signifies both a key and a collar-bone³.

We have also several puns recorded in Diogenes Laertius's "Lives of the Philosophers;" and those made by the wisest and gravest men among them, even by Diogenes the cynick, who, although pretending to withstand the irresistible charms of punning, was cursed with the name of an abhorrer Yet, in spite of all his ill-nature and affectation (for he was a tub-preacher), he made so excellent a pun, that Scaliger said, "He would rather have been author of it, than king of Navarre." The story is as follows: Didymus (not Didymus the commentator upon Homer, but a famous rake among the ladies at Athens) having taken in hand to cure a virgin's eye that was sore, had this caution given him by Diogenes, "Take care you do not corrupt your pupil." The word κὁρα signifies both the pupil of the eye and a virgin⁴.

It would be endless to produce all the authorities that might be gathered, from Diodorus Siculus, Herodotus, Proconosius, Bergæus, Dionysius Halicarnassensis, Lycophron, Pindar, Apollonius, Menander, Aristophanes, Corinthus Cous, Nonnus, Demosthenes, Euripides, Thucydides, Plato, Aristotle, &c.; from every one of which I should have produced some quotations, were it not that we are so unfortunate in this kingdom not to have Greek types sufficient for such an undertaking⁵: for want of which, I have been put to the necessity, in the word κὁρα, of writing an alpha for an éta.

However, I believe it will not be amiss to bring some few testimonies, to show in what great esteem the art of punning was among the most refined wits at Rome, and that in the most polite ages, as will appear from the following quotations.

Quinctilian says⁶, "Urbanitas est virtus quædam, in breve dictum, verum sensu duplici, coacta, et apta ad delectandos homines," &c. Thus translated, "Punning is a virtue, comprised in a short expression, with a double meaning, and fitted to delight the ladies."

Lucretius also,

Quò magìs æternum da dictis, Diva, leporem.
"Goddess, eternal puns on me bestow."

And elsewhere,

Omnia enim lepidi magìs admirantur, amántque
Germanis quæ sub verbis latitantia cernunt:
Verbaque constituunt simili fucata sonore,
Nec simili sensu, sed quæ mentita placerent.

"All men of mirth and sense admire and love
Those words which like twin-brothers doubtful prove;
When the same sounds a different sense disguise,
In being deceived the greatest pleasure lies."

Thus Claudian:

Vocibus alternant sensus, fraudisque jocosæ,
Vim duplicem rident, lacrymosaque gaudia miscent.

"From word to word th' ambiguous sense is play'd;
Laughing succeeds, and joyful tears are shed."

And Martial: