On the other hand, Punch recognized that a disposition to add to our Imperial responsibilities was no longer a Tory monopoly. Uganda was annexed in 1894, and John Bull is seen finding a black baby on his doorstep: "What, another! Well, I suppose I must take it in," the explanatory verses being headed "Prestige oblige." The assassination of President Carnot prompts a tribute to France: —
Sister in sorrow now as once in arms,
Of old fair enemy in many a field —
an obvious adaptation of Sir Philip Sidney's "that sweet enemy France." But in the realm of foreign affairs the most striking event was the Chino-Japanese war. Here Punch's sympathies are clearly revealed in his cartoon, "Jap the Giant-killer," with an up-to-date fairy-tale text; in the picture of Japan as the Infant Phenomenon lecturing on the Art of War to John Bull, Jonathan, the Kaiser and other crowned heads; and in the condemnation of the jealous intervention of Russia and Germany to rob Japan, who had "played a square game," of the fruits of victory. The death of the Tsar Alexander III in November, 1894, is commemorated in a cartoon in which Peace is chief mourner. Punch, as we have seen, had not been enthusiastic over the gravitation of Russia towards a French alliance; but no official declaration of its existence was made until 1897, though it was mentioned publicly by M. Ribot in 1895.
"Old as I am my feelings have not been deadened in regard to matters of such a dreadful description." (Mr. Gladstone's Birthday speech at Hawarden on the Armenian atrocities.)
The Seven Lord Roseberys
The Rosebery Cabinet resigned in June, 1895. Punch's admiration for Lord Rosebery had steadily waned during his brief tenure of the Premiership, and distrust of his versatility is revealed in the versified comment on Mr. St. Loe Strachey's article in the Nineteenth Century. There the "Seven Ages of Rosebery" are traced, in the manner of Jaques, from the Home Ruler onward through the phase of London County Council chairman to Premier, and Sphinx à la Dizzy, ending: —
Last scene of all
That ends this strange eventful history,
Newmarket Rosebery, Ladas-owner, Lord —
Sans grit, sans nous, sans go, sans everything.
Lord Salisbury's third Cabinet was reinforced by the inclusion of the Liberal-Unionists – the Duke of Devonshire, Mr. Goschen and Mr. Chamberlain. It was a powerful combination, but suffered in the long run from the inherent drawbacks of all coalitions, though the course of events postponed the inevitable disruption. Before the Liberals left office, Mr. Gladstone had emerged from his retirement to denounce the "Armenian Atrocities" and urge British intervention. Here, as in earlier years, Punch sided with the advanced Liberals, rejoiced in his well-known cartoon, "Who said 'Atrocities'?" that there was life in the old dog (Mr. Gladstone) yet; welcomed the adhesion of the Duke of Argyll to Mr. Gladstone's campaign in another cartoon of the "Old Crusaders: Bulgaria, 1876, Armenia, 1895"; and denounced the unchangeable ferocity of the Turk. When the Bishop of Hereford invited his clergy to send up petitions respecting the Armenian atrocities, one vicar refused to protest against Turkish crimes, on the ground that the English Government was exercising all its ingenuity to persecute and plunder Christians here. This referred to the Liberal Government's Welsh Disestablishment Bill. Punch ironically declared that the vicar's logic was as convincing as his Christian sympathy was admirable. On the return of the Unionists to power, Punch continued to urge strong measures, and lamented the powerlessness of the "Great Powers" to bring about reforms in Turkish administration.
The Kiel Canal
The retirement of Mr. Peel from the Speakership afforded Punch a fitting opportunity for recognizing his great qualities in maintaining the dignity of his position, his "awesome mien and terrible voice" in administering rebukes, and for joining in the chorus of congratulation to the new Conductor of the Parliamentary Orchestra, Mr. Gully. As for the protest of Lord Curzon, Lord Wolmer and Mr. St. John Brodrick against the exclusion of peers from the House of Commons, Punch dealt faithfully with the movement in his comments on the "Pirate Peers." Better still is the cartoon in which a bathing woman addresses a little boy wearing a coronet, and battering with his toy spade at the door of a bathing-machine labelled House of Commons. "Come along, Master Selborne," she says, "and take your dip like a little nobleman." This incident of May, 1895, is hardly worth mentioning save as an example of self-protective insurance against future legislation aimed at the power of the Upper House. For years to come Punch's political preoccupations were almost exclusively with questions of Imperial policy and international relations. The opening of the Kiel Canal practically coincided with the return to power of Lord Salisbury, and is celebrated by Punch in the same number in which he ironically adapts Shakespeare's Coriolanus to illustrate the alliance of Lord Salisbury and Mr. Chamberlain. Punch's representative went out on the Tantallon Castle with Mr. Gladstone, and gives a lively account of the junketings on board and on shore, and the entertainment of sovereigns and local magnates. In more serious vein Punch editorially hails the canal as a "Path of Peace," banishing misgivings and remembrances of Denmark and France: —
Not war alone, but trade, will take the track
That shuns the wild and stormy Skager-Rak;
And may Brunsbüttel's now familiar name
Be little linked with Empire's big war-game;
May battle-echoes in the Baltic cease;
And the Canal be a new Path of Peace.
A couple of months later our friendly relations with Italy inspired a cartoon in which Britannia congratulates Italy, but advises her to be less visionary and more practical. Italy's finances were causing her trouble; otherwise the advice showed an inability to sound the springs of Italian policy. Punch's pacific dreams were dispelled in the autumn by the renewed troubles in Ashanti. Britannia, as he put it, expected more than an umbrella this time; King Coffee's umbrella had cost us £900,000 in 1874. Happily the expedition was well organized and its immediate purpose executed, though a further expedition became necessary in 1900. Far graver anxieties threatened us from Africa at the close of the year, and since Punch's criticisms of and comments on the successive phases of controversy and conflict betray a certain amount of variation and even inconsistency, it is as well to point out that the unfriendly tone he had shown towards "Joe" in previous years had largely abated upon Mr. Chamberlain's accession to office as Colonial Secretary. In the account of a dinner held in the late autumn of 1895 to celebrate the opening of railway communication between Natal and the Cape, Mr. Chamberlain's speech is extolled as "splendidly pitched, admirably phrased, and full of the Palmerstonian ring." Simultaneously in "The Imperial Federalists' Vade Mecum" Punch discourses on the difficulties, no longer insuperable, which attended on the translation into reality of that dream of Imperial Federation which had once been regarded as a nightmare.
Dr. Jameson's Popularity
The abortive Jameson Raid at the close of December, 1895, came as a bombshell; and Punch, in his "Tug of War" cartoon, shows the Uitlander trying to pull the British Lion into the Transvaal, while Mr. Chamberlain is pulling him back. Canning's well-known lines on "The Pilot that weathered the Storm" are rewritten in honour of Mr. Chamberlain's handling of the crisis. A few months earlier Punch had ridiculed the Kaiser for his arbitrary absolutism in sending to prison a private University teacher "for writing in praise of a certain kind of soap." The famous telegram to President Krüger was dealt with more audaciously in an apocryphal letter purporting to have been sent by the Queen to her grandson: —
Mein lieber Willy, – Dies ist aber über alle Berge. Solch eine confounded Impertinenz have ich nie gesehen. The fact of the matter is that Du ein furchtbarer Schwaggerer bist. Warum kannst Du nie ruhig bleiben, why can't you hold your blessed row? Musst Du deinen Finger in jeder Torte haben? Was it for this that I made you an Admiral meiner Flotte and allowed you to rig yourself out in einer wunderschönen Uniform mit einem gekokten Hut? If you meant mir any of your blooming cheek zu geben why did you make your grandmamma Colonel eines Deutschen Cavallerie Regiments? Du auch bist Colonel of a British Cavallerie Regiment, desto mehr die Schade, the more's the pity. Als Du ein ganz kleiner Bube warst have ich Dich oft tüchtig gespankt, and now that you've grown up you ought to be spanked too… Du weist nicht wo Du bist, you dunno where you are, and somebody must teach you. Is Bismarck quite well? Das ist ein kolossaler Kerl, nicht wahr? So lange. Don't be foolish any more.
Deine Dich liebende,
Grandmamma.
This was followed up by the picture of the Kaiser as "Fidgety Phil." But Punch was already alive to the widespread hostility to England which prevailed on the Continent, and did not shrink from suggesting that we were ready at need to take up the challenge. He admitted the popularity of "Dr. Jim," but irony underlies his dialogue between the dubious Londoner, who asks: —
"How will they treat this Doctor Jim,
Who doesn't return a winner?" —
and the Hearty Citizen who replies: —
"There's only one way of treating him." —
"And that is?" – "Give him a dinner."
Punch is ironically sympathetic, again, in his comment on the statement that "About 130 letters awaited Dr. Jameson … many of them containing offers of marriage." A few months later, however, Punch supported the demand for his release on account of ill-health. The cartoon based on Mr. Rhodes's resignation in May is headed, "The Pity of it." South Africa (as Othello) says to him: "Cassio, I love thee; but never more be officer of mine." Punch adds as his authority a statement in The Times: "Mr. Rhodes has no longer any power of assailing or menacing the Transvaal. The military authority in the Company's territory is in the hands of Sir Richard Martin. The administration is in the hands of Lord Grey." It was about the same time that Punch published a design for a statue of Krüger, in which the British Lion is shown in chains while Chamberlain kneels obsequiously to the President.
South Africa was not our only source of anxiety in 1896. Indeed, it may be said to have temporarily receded into the background as a storm centre. For our strained relations with the United States over the Venezuelan arbitration had been brought to a critical stage by President Cleveland's message. The conciliatory speeches of Mr. Chamberlain and Mr. Balfour in January led Punch to represent them in the act of placating the American Eagle with caresses and sugar. He was better inspired in his open letter to Mr. W. D. Howells, the distinguished American writer, recognizing his generous and courageous efforts to create a better mutual understanding between the two countries. In particular he saluted the "Golden words" in which Mr. Howells criticized his own countrymen: —
Letter to Mr. Howells
"What I chiefly object to in our patriotic emotion, however, was not that it was so selfish but that it was so insensate, so stupid. It took no account of things infinitely more precious than national honour, such as humanity, civilization, and which must suffer in a conflict between peoples like the English and the Americans. For the sake of having our ships beat their ships, our poor fellows slaughter their poor fellows, we were all willing, for one detestable instant at least, to have the rising hopes of mankind dashed, and the sense of human brotherhood blunted in the hearts of the foremost people of the world."
But is there, as you say, "in the American heart a hatred of England, which glutted itself in her imagined disaster and disgrace when we all read the President's swaggering proclamation, in which he would not yield to the enemy so far as even to write good English"? Is there to be no forgiveness, are we never to cancel old scores and begin our international book-keeping, if I may so term it, on a clean page? I do not think our people hate yours. Your dash, your pluck, your humour, your keen common sense, your breezy and inexhaustible energy, your strength and broad capacity for government, all these qualities command and obtain from us a sincere tribute of admiration. If you hate us, we must submit to that melancholy condition, but never submit in such a fashion as to cease from honest effort to abate and in the end to remove all hatred. Blood, as one of your naval captains1 said on a memorable occasion, is thicker than water. So saying, he dashed in to the help of our sorely pressed ships. Let us then call a truce to petty and malignant carping, and join hands in an alliance dependent not upon written treaties, but upon the noble sympathy of two great nations engaged in the same work of civilization and progress. You, Sir, speaking for others, I trust, as well as for yourself, have set us an example.
Believe me, yours in all cordial friendship,
Punch.
It was in the same spirit that Punch welcomed a remark in the New York Morning Press: "After all the English people are our people, and we are theirs," and deprecated as suicidal any efforts to forsake a common heritage and rend asunder a family tree. The tension passed, thanks to diplomacy and arbitration, and towards the close of the year we find Punch welcoming Mr. McKinley on his election as President, the Shade of Washington (with a somewhat bulbous nose) congratulating Columbia: "'Sound Money' is the best policy." Meanwhile the expedition to Khartum had been decided on; the House of Commons, reassured by a confident speech from Mr. Chamberlain, having approved of the forward policy by a two to one vote, in spite of the misgivings of Mr. Morley, Sir William Harcourt and Sir Charles Dilke. Punch, mindful of 1884, registered his approval in the cartoon in which the Shade of Gordon in the desert utters the one word, "Remember!" Wars and rumours of wars did not distract Punch's attention from the peaceful rivalry of commerce. He was still much concerned by Germany's competition, which he typified in his cartoon of British Trade as the old woman whose petticoats were "cut all round about," while she was asleep, by a German pedlar. And the commercial significance of Li Hung Chang's visit is not overlooked in the generally farcical handling of that extremely astute Oriental. In the cartoon "China in the Bull Shop," rival Continental shopkeepers, who had got no orders out of him, are consumed with envy and curiosity. If Punch is to be believed, their envy was ill-founded. Li Hung Chang displayed a boundless inquisitiveness, but there was "nothing doing" in the way of business between him and his hosts. Punch drew mainly on his imagination for the events of the visit, and ascribed to Li Hung Chang a number of topical Chinese proverbs. The best of them – "Half an official welcome is better than an ill-bred mobbing" – refers to his arrival in the "dead" season.
Two Modern Hamlets
Lord Rosebery resigned the leadership of the Liberal Party in June. While still in office he had estranged the Radical stalwarts by his Imperialist foreign policy and his heretical view of the necessity of converting the "predominant partner," England, before attempting to revive Home Rule. His Government, as one of his colleagues put it, were condemned to the task of "ploughing the sands." In the intervening year the gulf that severed him from the stalwarts and the Nonconformist conscience had been widened by his refusal to join in Mr. Gladstone's Armenian crusade, and henceforth he decided to "plough a lonely furrow." In later years he made occasional dramatic interventions, but his official career, like that of his contemporary at Eton, Lord Randolph Churchill, closed before he was fifty.
Lord R-s-b-ry (in leading rôle):
"The 'Party's' out of joint; – O, cursèd spite,
That ever I was 'asked' to set it right!"
Act i, scene 5, Mr. Punch's edition.
Our relations with the United States were bettered at the opening of 1897 by the signing of the Arbitration Treaty adjusting the Venezuelan question. In Europe events did not conduce to diminish our unpopularity. It was the year of the brief Greco-Turkish war, which revived old divisions of opinion at home. Punch was no lover of the Turk; he realized the difficulties of King George, whom he depicted as Hamlet at Athens, recognizing (like Lord Rosebery) that the "time was out of joint" and deploring "the cursed spite that he was ever born to set it right"; but he supported Lord Salisbury in severely rebuking the hundred M.P.'s who had sent the King a message of encouragement. The verses, modelled on Tennyson's "Charge of the Light Brigade," disparaged the message as mere gaseous talk, which did not mean business, and was bound to end in smoke. Criticism of the Kaiser becomes more animated than moderate; the frequent prosecutions for lèse-majesté, and the famous pamphlet, in which Professor Quidde of Munich ingeniously satirized the Kaiser's megalomania in an historical essay on the aberrations of Caligula, inspire a caustic open letter to Wilhelm II, the gist of which is that, though old enough to know better, he was still the victim of the capricious extravagance of youth: —
Formerly I imagined that throughout Germany, and from time to time in Russia, Austria, or in Italy, an imperial but soaringly human boy was lifting his glass and crying, "Hoch! Hoch! Hoch!" amid the clatter of swords and the admiring shouts of a profusely-decorated soldiery. Now I know that a stout gentleman is doing these things, and reducing his hearers to an abyss of melancholy at his dismal failure in dignity. A boy who played fantastic tricks with the telegraph-wires incurred but a mild censure. What shall be said of a middle-aged and pompous party whose pleasure it is to play practical jokes that set two nations by the ears?
The "Raid" and its Aftermath
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