"Can't we? Jake, you're no lawyer and you don't know how to manage a lie. Make a clean breast of it. It may help you and it won't hurt Quimby. Begin with the old lady's coming. What turned Quimby against her? What's the plot?"
"I don't know of any plot. What Quimby told you is true. You needn't expect me to contradict it!"
A leaden doggedness had taken the place of his whilom good nature. Nothing is more difficult to contend with. Nothing is more dreaded by the inquisitor. Hammersmith realised the difficulties of the situation and repeated the gesture he had previously made toward the door leading into an adjoining compartment. The coroner nodded as before and changed the tone of his inquiry.
"Jake," he declared, "you are in a more serious position than you realise. You may be devoted to Quimby, but there are others who are not. A night such as you have been through quickens the conscience of women if it does not that of men. One has been near death. The story of such a woman is apt to be truthful. Do you want to hear it? I have no objections to your doing so."
"What story? I don't know of any story. Women have easy tongues; they talk even when they have nothing to say."
"This woman has something to say, or why should she have asked to be confronted with you? Have her in, Mr. Hammersmith. I imagine that a sight of this man will make her voluble."
A sneer from Jake; but when Hammersmith, crossing to the door I've just mentioned, opened it and let in Huldah, this token of bravado gave way to a very different expression and he exclaimed half ironically, half caressingly:
"Why, she's my sweetheart! What can she have to say except that she was mighty fortunate not to have been burned up in the fire last night?"
Doctor Golden and the detective crossed looks in some anxiety. They had not been told of this relation between the two, either by the girl herself or by the others. Gifted with a mighty close mouth, she had nevertheless confided to Hammersmith that she could tell things and would, if he brought her face to face with the man who tried to shoot him while he was helping her down from the roof. Would her indignation hold out under the insinuating smile with which the artful rascal awaited her words? It gave every evidence of doing so, for her eye flashed threateningly and her whole body showed the tension of extreme feeling as she came hastily forward, and pausing just beyond the reach of his arm, cried out:
"You had a hand in locking me in. You're tired of me. If you're not, why did you fire those bullets my way? I was escaping and – "
Jake thrust in a quick word. "That was Quimby's move – locking your door. He had some game up. I don't know what it was. I had nothing to do with it."
This denial seemed to influence her. She looked at him and her breast heaved. He was good to look at; he must have been more than that to one of her restricted experience. Hammersmith trembled for the success of their venture. Would this blond young giant's sturdy figure and provoking smile prevail against the good sense which must tell her that he was criminal to the core, and that neither his principle nor his love were to be depended on? No, not yet. With a deepening flush, she flashed out:
"You hadn't? You didn't want me dead? Why, then, those bullets? You might have killed me as well as Mr. Hammersmith when you fired!"
"Huldah!" Astonishment and reproach in the tone and something more than either in the look which accompanied it. Both were very artful and betrayed resources not to be expected from one of his ordinarily careless and good-humoured aspect. "You haven't heard what I've said about that?"
"What could you say?"
"Why, the truth, Huldah. I saw you on the roof. The fire was near. I thought that neither you nor the man helping you could escape. A death of that kind is horrible. I loved you too well to see you suffer. My gun was behind the barn door. I got it and fired out of mercy."
She gasped. So, in a way, did the two officials. The plea was so specious, and its likely effect upon her so evident.
"Jake, can I believe you?" she murmured.
For answer, he fumbled in his pocket and drew out a small object which he held up before her between his fat forefinger and thumb. It was a ring, a thin, plain hoop of gold worth possibly a couple of dollars, but which in her eyes seemed to possess an incalculable value, for she had no sooner seen it than her whole face flushed and a look of positive delight supplanted the passionately aggrieved one with which she had hitherto faced him.
"You had bought that?"
He smiled and returned it to his pocket.
"For you," he simply said.
The joy and pride with which she regarded him, despite the protesting murmur of the discomfited Hammersmith, proved that the wily Jake had been too much for them.
"You see!" This to Hammersmith, "Jake didn't mean any harm, only kindness to us both. If you will let him go, I'll be more thankful than when you helped me down off the roof. We're wanting to be married. Didn't you see him show me the ring?"
It was for the coroner to answer.
"We'll let him go when we're assured that he means all that he says. I haven't as good an opinion of him as you have. I think he's deceiving you and that you are a very foolish girl to trust him. Men don't fire on the women they love, for any reason. You'd better tell me what you have against him."
"I haven't anything against him now."
"But you were going to tell us something – "
"I guess I was fooling."
"People are not apt to fool who have just been in terror of their lives."
Her eyes sought the ground. "I'm just a hardworking girl," she muttered almost sullenly. "What should I know about that man Quimby's dreadful doings?"
"Dreadful? You call them dreadful?" It was Doctor Golden who spoke.
"He locked me in my room," she violently declared. "That wasn't done for fun."
"And is that all you can tell us? Don't look at Jake. Look at me."
"But I don't know what to say. I don't even know what you want."
"I'll tell you. Your work in the house has been upstairs work, hasn't it?"
"Yes, sir. I did up the rooms – some of them," she added cautiously.
"What rooms? Front rooms, rear rooms, or both?"
"Rooms in front; those on the third floor."
"But you sometimes went into the extension?"
"I've been down the hall."
"Haven't you been in any of the rooms there, – Number 3, for instance?"
"No, sir; my work didn't take me there."
"But you've heard of the room?"
"Yes, sir. The girls sometimes spoke of it. It had a bad name, and wasn't often used. No girl liked to go there. A man was found dead in it once. They said he killed his own self."
"Have you ever heard any one describe this room?"
"No, sir."
"Tell what paper was on the wall?"
"No, sir."
"Perhaps Jake here can help us. He's been in the room often."
"The paper was blue; you know that; you saw it yourselves yesterday," blurted forth the man thus appealed to.
"Always blue? Never any other colour that you remember?"
"No; but I've been in the house only ten years."
"Oh, is that all! And do you mean to say that this room has not been redecorated in ten years?"
"How can I tell? I can't remember every time a room is repapered."
"You ought to remember this one."
"Why?"
"Because of a very curious circumstance connected with it."
"I don't know of any circumstance."
"You heard what Miss Demarest had to say about a room whose walls were covered with muddy pink scrolls."
"Oh, she!" His shrug was very expressive. Huldah continued to look down.
"Miss Demarest seemed to know what she was talking about," pursued the coroner in direct contradiction of the tone he had taken the day before. "Her description was quite vivid. It would be strange now if those walls had once been covered with just such paper as she described."
An ironic stare, followed by an incredulous smile from Jake; dead silence and immobility on the part of Huldah.
"Was it?" shot from Doctor Golden's lips with all the vehemence of conscious authority.
There was an instant's pause, during which Huldah's breast ceased its regular rise and fall; then the clerk laughed sharply and cried with the apparent lightness of a happy-go-lucky temperament:
"I should like to know if it was. I'd think it a very curious quin – quin – What's the word? quincedence, or something like that."
"The deepest fellow I know," grumbled the baffled coroner into Hammersmith's ear, as the latter stepped his way, "or just the most simple." Then added aloud: "Lift up my coat there, please."
Hammersmith did so. The garment mentioned lay across a small table which formed the sole furnishing of the place, and when Hammersmith raised it, there appeared lying underneath several small pieces of plaster which Doctor Golden immediately pointed out to Jake.
"Do you see these bits from a papered wall?" he asked. "They were torn from that of Number 3, between the breaking out of the fire and Mr. Hammersmith's escape from the room. Come closer; you may look at them, but keep your fingers off. You see that the coincidence you mentioned holds."
Jake laughed again loudly, in a way he probably meant to express derision; then he stood silent, gazing curiously down at the pieces before him. The blue paper peeling away from the pink made it impossible for him to deny that just such paper as Miss Demarest described had been on the wall prior to the one they had all seen and remembered.1
"Well, I vum!" Jake finally broke out, turning and looking from one face to another with a very obvious attempt to carry off the matter jovially. "She must have a great eye; a – a – (another hard word! What is it now?) Well! no matter. One of the kind what sees through the outside of things to what's underneath. I always thought her queer, but not so queer as that. I'd like to have that sort of power myself. Wouldn't you, Huldah?"
The girl, whose eye, as Hammersmith was careful to note, had hardly dwelt for an instant on these bits, not so long by any means as a woman's natural curiosity would seem to prompt, started as attention was thus drawn to herself and attempted a sickly smile.
But the coroner had small appreciation for this attempted display of humour, and motioning to Hammersmith to take her away, he subjected the clerk to a second examination which, though much more searching and rigorous than the first, resulted in the single discovery that for all his specious love-making he cared no more for the girl than for one of his old hats. This the coroner confided to Hammersmith when he came in looking disconsolate at his own failure to elicit anything further from the resolute Huldah.
"But you can't make her believe that now," whispered Hammersmith.
"Then we must trick him into showing her his real feelings."
"How would you set to work? He's warned, she's warned, and life if not love is at stake."
"It don't look very promising," muttered Doctor Golden, "but – "
He was interrupted by a sudden sound of hubbub without.
"It's Quimby, Quimby!" declared Hammersmith in his sudden excitement.
But again he was mistaken. It was not the landlord, but his wife, wild-eyed, dishevelled, with bits of straw in her hair from some sheltering hayrick and in her hand a heavy gold chain which, as the morning sun shone across it, showed sparkles of liquid clearness at short intervals along its whole length.
Diamonds! Miss Thistlewaite's diamonds, and the woman who held them was gibbering like an idiot!
The effect on Jake was remarkable. Uttering a piteous cry, he bounded from their hands and fell at the woman's feet.
"Mother Quimby!" he moaned. "Mother Quimby!" and sought to kiss her hand and wake some intelligence in her eye.
Meanwhile the coroner and Hammersmith looked on, astonished at these evidences of real feeling. Then their eyes stole behind them, and simultaneously both started back for the outhouse they had just left. Huldah was standing in the doorway, surveying the group before her with trembling, half-parted lips.
"Jealous!" muttered Hammersmith. "Providence has done our little trick for us. She will talk now. Look! She's beckoning to us."
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