Count Robert of Paris originally published by Whittaker & Company in 1831.

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Introductory Address

JEDEDIAH CLEISHBOTHAM, M.A.

To the loving Reader wisheth health and prosperity.

It would ill become me, whose name has been spread abroad by those former collections, bearing this title of "Tales of my Landlord," and who have, by the candid voice of a numerous crowd of readers, been taught to think that I merit not the empty fame alone, but also the more substantial rewards, of successful pencraft – it would, I say, ill become me to suffer this, my youngest literary babe, and, probably at the same time, the last child of mine old age, to pass into the world without some such modest apology for its defects, as it has been my custom to put forth on preceding occasions of the like nature. The world has been sufficiently instructed, of a truth, that I am not individually the person to whom is to be ascribed the actual inventing or designing of the scheme upon which these Tales, which men have found so pleasing, were originally constructed; as also that neither am I the actual workman, who, furnished by a skilful architect with an accurate plan, including elevations and directions both general and particular, has from thence toiled to bring forth and complete the intended shape and proportion of each division of the edifice. Nevertheless I have been indisputably the man, who, in placing my name at the head of the undertaking, have rendered myself mainly and principally responsible for its general success. When a ship of war goeth forth to battle with her crew, consisting of sundry foremast-men and various officers, such subordinate persons are not said to gain or lose the vessel which they have manned or attacked, (although each was natheless sufficiently active in his own department;) but it is forthwith bruited and noised abroad, without further phrase, that Captain Jedediah Cleishbotham hath lost such a seventy-four, or won that which, by the united exertions of all thereto pertaining, is taken from the enemy. In the same manner, shame and sorrow it were, if I, the voluntary Captain and founder of these adventures, after having upon three divers occasions assumed to myself the emoluments and reputation thereof, should now withdraw myself from the risks of failure proper to this fourth and last outgoing. No! I will rather address my associates in this bottom with the constant spirit of Matthew Prior's heroine:

 
"Did I but purpose to embark with thee
On the smooth surface of some summer sea,
But would forsake the waves, and make the shore,
When the winds whistle, and the billows roar?"
 

As little, nevertheless, would it become my years and station not to admit without cavil certain errors which may justly be pointed out in these concluding "Tales of my Landlord," – the last, and, it is manifest, never carefully revised or corrected handiwork, of Mr Peter Pattison, now no more; the same worthy young man so repeatedly mentioned in these Introductory Essays, and never without that tribute to his good sense and talents, nay, even genius, which his contributions to this my undertaking fairly entitled him to claim at the hands of his surviving friend and patron. These pages, I have said, were the ultimus labor of mine ingenious assistant; but I say not, as the great Dr Pitcairn of his hero, – ultimus atque optimus. Alas! even the giddiness attendant on a journey on this Manchester rail-road is not so perilous to the nerves, as that too frequent exercise in the merry-go-round of the ideal world, whereof the tendency to render the fancy confused, and the judgment inert, hath in all ages been noted, not only by the erudite of the earth, but even by many of the thick-witted Ofelli themselves; whether the rapid pace at which the fancy moveth in such exercitations, where the wish of the penman is to him like Prince Houssain's tapestry, in the Eastern fable, be the chief source of peril – or whether, without reference to this wearing speed of movement, the dwelling habitually in those realms of imagination, be as little suited for a man's intellect, as to breathe for any considerable space "the difficult air of the mountain top" is to the physical structure of his outward frame – this question belongeth not to me; but certain it is, that we often discover in the works of the foremost of this order of men, marks of bewilderment and confusion, such as do not so frequently occur in those of persons to whom nature hath conceded fancy weaker of wing, or less ambitious in flight.

It is affecting to see the great Miguel Cervantes himself, even like the sons of meaner men, defending himself against the critics of the day, who assailed him upon such little discrepancies and inaccuracies as are apt to cloud the progress even of a mind like his, when the evening is closing around it. "It is quite a common thing," says Don Quixote, "for men who have gained a very great reputation by their writings before they were printed, quite to lose it afterwards, or, at least, the greater part." "The reason is plain," answers the Bachelor Carrasco; "their faults are more easily discovered after the books are printed, as being then more read, and more narrowly examined, especially if the author has been much cried up before, for then the severity of the scrutiny is sure to be the greater. Those who have raised themselves a name by their own ingenuity, great poets and celebrated historians, are commonly, if not always, envied by a set of men who delight in censuring the writings of others, though they could never produce any of their own." – "That is no wonder," quoth Don Quixote; "there are many divines that would make but very dull preachers, and yet are quick enough at finding faults and superfluities in other men's sermons." – "All this is true," says Carrasco, "and therefore I could wish such censurers would be more merciful and less scrupulous, and not dwell ungenerously upon small spots that are in a manner but so many atoms on the face of the clear sun they murmur at» If aliquando dormitat Homerus, let them consider how many nights he kept himself awake to bring his noble works to light as little darkened with defects as might be. But, indeed, it may many times happen, that what is censured for a fault, is rather an ornament, as moles often add to the beauty of a face. When all is said, he that publishes a book, runs a great risk, since nothing can be so unlikely as that he should have composed one capable of securing the approbation of every reader." "Sure," says Don Quixote, "that which treats of me can have pleased but few?" "Quite the contrary," says Carrasco; "for as infinitus est numerus stultorum, so an infinite number have admired your history. Only some there are who have taxed the author with want of memory or sincerity, because he forgot to give an account who it was that stole Sancho's Dapple, for that particular is not mentioned there, only we find, by the story, that it was stolen; and yet, by and by, we find him riding the same ass again, without any previous light given us into the matter. Them they say that the author forgot to tell the reader what Sancho did with the hundred pieces of gold he found in the portmanteau in the Sierra Morena, for there is not a word said of them more; and many people have a great mind to know what he did with them, and how he spent them; which is one of the most material points in which the work is defective."

How amusingly Sancho is made to clear up the obscurities thus alluded to by the Bachelor Carrasco – no reader can have forgotten; but there remained enough of similar lacuna, inadvertencies, and mistakes, to exercise the ingenuity of those Spanish critics, who were too wise in their own conceit to profit by the good-natured and modest apology of this immortal author.

There can be no doubt, that if Cervantes had deigned to use it, he might have pleaded also the apology of indifferent health, under which he certainly laboured while finishing the second part of "Don Quixote." It must be too obvious that the intervals of such a malady as then affected Cervantes, could not be the most favourable in the world for revising lighter compositions, and correcting, at least, those grosser errors and imperfections which each author should, if it were but for shame's sake, remove from his work, before bringing it forth into the broad light of day, where they will never fail to be distinctly seen, nor lack ingenious persons, who will be too happy in discharging the office of pointing them out.

It is more than time to explain with what purpose we have called thus fully to memory the many venial errors of the inimitable Cervantes, and those passages in which he has rather defied his adversaries than pleaded his own justification; for I suppose it will be readily granted, that the difference is too wide betwixt that great wit of Spain and ourselves, to permit us to use a buckler which was rendered sufficiently formidable only by the strenuous hand in which it was placed.

The history of my first publications is sufficiently well known. Nor did I relinquish the purpose of concluding these "Tales of my Landlord," which had been so remarkably fortunate; but Death, which steals upon us all with an inaudible foot, cut short the ingenious young man to whose memory I composed that inscription, and erected, at my own charge, that monument which protects his remains, by the side of the river Gander, which he has contributed so much to render immortal, and in a place of his own selection, not very distant from the school under my care.^[1] In a word, the ingenious Mr Pattison was removed from his place.

Nor did I confine my care to his posthumous fame alone, but carefully inventoried and preserved the effects which he left behind him, namely, the contents of his small wardrobe, and a number of printed books of somewhat more consequence, together with certain woefully blurred manuscripts, discovered in his repository. On looking these over, I found them to contain two Tales called "Count Robert of Paris," and "Castle Dangerous;" but was seriously disappointed to perceive that they were by no means in that state of correctness, which would induce an experienced person to pronounce any writing, in the technical language of bookcraft, "prepared for press." There were not only hiatus valde deflendi, but even grievous inconsistencies, and other mistakes, which the penman's leisurely revision, had he been spared to bestow it, would doubtless have cleared away. After a considerate perusal, I no question flattered myself that these manuscripts, with all their faults, contained here and there passages, which seemed plainly to intimate that severe indisposition had been unable to extinguish altogether the brilliancy of that fancy which the world had been pleased to acknowledge in the creations of Old Mortality, the Bride of Lammermoor, and others of these narratives. But I, nevertheless, threw the manuscripts Into my drawer, resolving not to think of committing them to the Ballantynian ordeal, until I could either ohtain the assistance of some capable person to supply deficiencies, and correct errors, so as they might face the public with credit, or perhaps numerous and more serious avocations might permit me to dedicate my own time and labour to that task.

While I was in this uncertainty, I had a visit from a stranger, who was announced as a young gentleman desirous of speaking with me on particular business. I immediately augured the accession of a new boarder, but was at once checked by observing that the outward man of the stranger was, in a most remarkable degree, what mine host of the Sir William Wallace, in his phraseology, calls seedy. His black coat had seen service; the waistcoat of grey plaid bore yet stronger marks of having encountered more than one campaign; his third piece of dress was an absolute veteran compared to the others; his shoes were so loaded with mud as showed his journey must have been pedestrian; and a grey maud, which fluttered around his wasted limbs, completed such an equipment as, since Juvenal's days, lias been the livery of the poor scholar. I therefore concluded that I beheld a candidate for the vacant office of usher, and prepared to listen to his proposals with the dignity becoming my station; but what was my surprise when I found I had before me, in this rusty student, no less a man than Paul, the brother of Peter Pattison, come to gather in his brother's succession, and possessed, it seemed, with no small idea of the value of that part of it which consisted in the productions of his pen!

By the rapid study I made of him, this Paul was a sharp lad, imbued with some tincture of letters, like his regretted brother, but totally destitute of those amiable qualities which had often induced me to say within myself, that Peter was, like the famous John Gay, —

 
"In wit a man, simplicity a child."
 

He set little by the legacy of my deceased assistant's wardrobe, nor did the books hold much greater value in his eyes: but he peremptorily demanded to be put in possession of the manuscripts, alleging, with obstinacy, that no definite bargain had been completed between his late brother and me, and at length produced the opinion to that effect of a writer, or man of business, – a class of persons with whom I have always chosen to have as little concern as possible.

But I had one defence left, which came to my aid, tanquam deus ex machinâ. This rapacious Paul Pattison could not pretend to wrest the disputed manuscripts out of my possession, unless upon repayment of a considerable sum of money, which I had advanced from time to time to the deceased Peter, and particularly to purchase a small annuity for his aged mother. These advances, with the charges of the funeral and other expenses, amounted to a considerable sum, which the poverty-struck student and his acute legal adviser equally foresaw great difficulty in liquidating. The said Mr Paul Pattison, therefore, listened to a suggestion, which I dropped as if by accident, that if he thought himself capable of filling his brother's place of carrying the work through the press, I would make him welcome to bed and board within my mansion while he was thus engaged, only requiring his occasional assistance at hearing the more advanced scholars. This seemed to promise a close of our dispute, alike satisfactory to all parties, and the first act of Paul was to draw on me for a round sum, under pretence that his wardrobe must be wholly refitted. To this I made no objection, though it certainly showed like vanity to purchase garments in the extremity of the mode, when not only great part of the defunct's habiliments were very fit for a twelvemonth's use, but, as I myself had been, but yesterday as it were, equipped in a becoming new stand of black clothes, Mr Pattison would have been welcome to the use of such of my quondam raiment as he thought suitable, as indeed had always been the case with his deceased brother.

The school, I must needs say, came tolerably on. My youngster was very smart, and seemed to be so active in his duty of usher, if I may so speak, that he even overdid his part therein, and I began to feel myself a cipher in my own school.

I comforted myself with the belief that the publication was advancing as fast as I could desire. On this subject, Paul Pattison, like ancient Pistol, "talked bold words at the bridge," and that not only at our house, but in the society of our neighbours, amongst whom, instead of imitating the retired and monastic manner of his brother deceased, he became a gay visitor, and such a reveller, that in process of time he was observed to vilipend the modest fare which had at first been esteemed a banquet by his hungry appetite, and thereby highly displeased my wife, who, with justice, applauds herself for the plentiful, cleanly, and healthy victuals, wherewith she maintains her ushers and boarders.

Upon the whole, I rather hoped than entertained a sincere confidence that all was going on well, and was in that unpleasant state of mind which precedes the open breach between two associates who have been long jealous of each other, but are as yet deterred by a sense of mutual interest from coming to an open rupture.

The first thing which alarmed me was a rumour in the village, that Paul Pattison intended, in some little space, to undertake a voyage to the Continent – on account of his health, as was pretended, but, as the same report averred, much more with the view of gratifying the curiosity which his perusal of the classics had impressed upon him, than for any other purpose. I was, I say, rather alarmed at this susurrus,