A GRAMMAR OF THE ENGLISH TONGUE

Grammar, which is the art of using words properly, comprises four parts: Orthography, Etymology, Syntax, and Prosody.

In this division and order of the parts of grammar I follow the common grammarians, without inquiring whether a fitter distribution might not be found. Experience has long shown this method to be so distinct as to obviate confusion, and so comprehensive as to prevent any inconvenient omissions. I likewise use the terms already received, and already understood, though perhaps others more proper might sometimes be invented. Sylburgius, and other innovators, whose new terms have sunk their learning into neglect, have left sufficient warning against the trifling ambition of teaching arts in a new language.

Orthography is the art of combining letters into syllables, and syllables into words. It therefore teaches previously the form and sound of letters.

The letters of the English language are,

To these may be added certain combinations of letters universally used in printing; as, fl, ff, fi, ffi, ffl, and &, or and per se, and.

Our letters are commonly reckoned twenty-four, because anciently i and j as well as u and v were expressed by the same character; but as those letters, which had always different powers, have now different forms, our alphabet may be properly said to consist of twenty-six letters

Vowels are five, a, e, i, o, u.

Such is the number generally received; but for i it is the practice to write y in the end of words, as thy, holy; before i, as from die, dying; from beautify, beautifying; in the words says, days, eyes; and in words derived from the Greek, and written originally with υ, as sympathy, συμπαθεια, system, συστημα.

For u we often write w after a vowel, to make a diphthong; as, raw, grew, view, vow, flowing; lowness.

The sounds of all the letters are various.

In treating on the letters, I shall not, like some other grammarians, inquire into the original of their form, as an antiquarian; nor into their formation and prolation by the organs of speech, as a mechanick, anatomist, or physiologist; nor into the properties and gradation of sounds, or the elegance or harshness of particular combinations, as a writer of universal and transcendental grammar. I consider the English alphabet only as it is English; and even in this narrow disquisition I follow the example of former grammarians, perhaps with more reverence than judgment, because by writing in English I suppose my reader already acquainted with the English language, and consequently able to pronounce the letters of which I teach the pronunciation; and because of sounds in general it may be observed, that words are unable to describe them. An account, therefore, of the primitive and simple letters, is useless, almost alike to those who know their sound, and those who know it not.

OF VOWELS

A

A has three sounds, the slender, open, and broad.

A slender is found in most words, as face, mane, and in words ending in ation, as creation, salvation, generation.

The a slender is the proper English a, called very justly by Erpenius, in his Arabick Grammar, a Anglicum cum e mistum, as having a middle sound between the open a and the e. The French have a similar sound in the word pais, and in their e masculine.

A open is the a of the Italian, or nearly resembles it; as father, rather, congratulate, fancy, glass.

A broad resembles the a of the German; as all, wall, call.

Many words pronounced with a broad were anciently written with au; as sault, mault; and we still say, fault, vault. This was probably the Saxon sound, for it is yet retained in the northern dialects, and in the rustick pronunciation; as maun for man, haund for hand.

The short a approaches to the a open, as grass.

The long a, if prolonged by e at the end of the word, is always slender, as graze, fame.

A forms a diphthong only with i or y, and u or w. Ai or ay, as in plain, wain, gay, clay, has only the sound of the long and slender a, and differs not in the pronunciation from plane, wane.

Au or aw has the sound of the German a, as raw, naughty.

Ae is sometimes found in Latin words not completely naturalized or assimilated, but is no English diphthong; and is more properly expressed by single e, as Cesar, Eneas.

E

E is the letter which occurs most frequently in the English language.

E is long, as in scēne; or short, as in cĕllar, sĕparate, cĕlebrate, mĕn, thĕn.

It is always short before a double consonant, or two consonants, as in vĕx, pĕrplexity, relĕnt, mĕdlar, rĕptile, sĕrpent, cĕllar, cĕssation, blĕssing, fĕll, fĕlling, dĕbt.

E is always mute at the end of a word, except in monosyllables that have no other vowel, as the; or proper names, as Penelope, Phebe, Derbe; being used to modify the foregoing consonants, as since, once, hedge, oblige; or to lengthen the preceding vowel, as băn, bāne; căn, cāne; pĭn, pīne; tŭn, tūne; rŭb, rūbe; pŏp, pōpe; fĭr, fīre; cŭr, cūre; tŭb, tūbe.

Almost all words which now terminate in consonants ended anciently in e, as year, yeare; wildness, wildnesse; which e probably had the force of the French e feminine, and constituted a syllable with its associate consonant; for in old editions words are sometimes divided thus, clea-re, fel-le, knowled-ge. This e was perhaps for a time vocal or silent in poetry as convenience required; but it has been long wholly mute. Camden in his Remains calls it the silent e.

It does not always lengthen the foregoing vowel, as glŏve, lĭve, gĭve.

It has sometimes in the end of words a sound obscure, and scarcely perceptible, as open, shapen, shotten, thistle, participle, metre, lucre.

This faintness of sound is found when e separates a mute from a liquid, as in rotten, or follows a mute and liquid, as in cattle.

E forms a diphthong with a, as near; with i, as deign, receive; and with u or w, as new, stew.

Ea sounds like e long, as mean; or like ee, as dear, clear, near.

Ei is sounded like e long, as seize, perceiving.

Eu sounds as u long and soft.

E, a, u, are combined in beauty and its derivatives, but have only the sound of u.

E may be said to form a diphthong by reduplication, as agree, sleeping.

Eo is found in yeoman, where it is sounded as o short; and in people, where it is pronounced like ee.

I

I has a sound long, as fīne; and short as fĭn.

That is eminently observable in i, which may be likewise remarkable in other letters, that the short sound is not the long sound contracted, but a sound wholly different.

The long sound in monosyllables is always marked by the e final, as thĭn, thīne.

I is often sounded before r, as a short u; as flirt, first, shirt.

It forms a diphthong only with e, as field, shield, which is sounded as the double ee; except friend, which is sounded as frĕnd.

I is joined with eu in lieu, and ew in view; which triphthongs are sounded as the open u.

O

O is long, as bōne, ōbedient, corrōding; or short, as blŏck, knŏck, ŏblique, lŏll.

Women is pronounced wimen.

The short o has sometimes the sound of close u, as son, come.

O coalesces into a diphthong with a, as moan, groan, approach: oa has the sound of o long.

O is united to e in some words derived from Greek, as œconomy; but as being not an English diphthong, they are better written as they are sounded, with only e, economy.

With i, as oil, soil, moil, noisome.

This coalition of letters seems to unite the sounds of the two letters, as far as two sounds can be united without being destroyed, and therefore approaches more nearly than any combination in our tongue to the notion of a diphthong.

With o, as boot, hoot, cooler; oo has the sound of the Italian u.

With u or w, as our, power, flower; but in some words has only the sound of o long, as in soul, bowl, sow, grow. These different sounds are used to distinguish different significations: as bow an instrument for shooting; bow, a depression of the head; sow, the she of a boar; sow, to scatter seed; bowl, an orbicular body; bowl, a wooden vessel.

Ou is sometimes pronounced like o soft, as court; sometimes like o short, as cough; sometimes like u close, as could; or u open, as rough, tough, which use only can teach.

Ou is frequently used in the last syllable of words which in Latin end in or and are made English, as honour, labour, favour, from honor, labor, favor.

Some late innovators have ejected the u, without considering that the last syllable gives the sound neither of or nor ur, but a sound between them, if not compounded of both; besides that they are probably derived to us from the French nouns in eur, as honeur, faveur.

U

U is long in ūse, confūsion; or short, as ŭs, concŭssion.

It coalesces with a, e, i, o; but has rather in these combinations the force of the w consonant, as quaff, quest, quit, quite, languish; sometimes in ui the i loses its sound, as in juice. It is sometimes mute before a, e, i, y, as guard, guest, guise, buy.

U is followed by e in virtue, but the e has no sound.

Ue is sometimes mute at the end of a word, in imitation of the French, as prorogue, synagogue, plague, vague, harangue.

Y

Y is a vowel, which, as Quintilian observes of one of the Roman letters, we might want without inconvenience, but that we have it. It supplies the place of i at the end of words, as thy, before an i, as dying; and is commonly retained in derivative words where it was part of a diphthong, in the primitive; as, destroy, destroyer; betray, betrayed, betrayer; pray, prayer; say, sayer; day, days.

Y being the Saxon vowel y, which was commonly used where i is now put, occurs very frequently in all old books.

GENERAL RULES

A vowel in the beginning or middle syllable, before two consonants, is commonly short, as ŏppŏrtunity.

In monosyllables a single vowel before a single consonant is short; as stag, frog.

Many is pronounced as if it were written manny.

OF CONSONANTS

B

B has one unvaried sound, such as it obtains in other languages.

It is mute in debt, debtor, subtle, doubt, lamb, limb, dumb, thumb, climb, comb, womb.

It is used before l and r, as black, brown.

C

C has before e and i the sound of s; as sincerely, centrick, century, circular, cistern, city, siccity: before a, o, and u, it sounds like k, as calm, concavity, copper, incorporate, curiosity, concupiscence.

C might be omitted in the language without loss, since one of its sounds might be supplied by, s, and the other by k, but that it preserves to the eye the etymology of words, as face from facies, captive from captivus.

Ch has a sound which is analyzed into tsh, as church, chin, crutch. It is the same sound which the Italians give to the c simple before i and e, as citta, cerro.

Ch is sounded like k in words derived from the Greek, as chymist, scheme, choler. Arch is commonly sounded ark before a vowel, as archangel, and with the English sound of ch before a consonant, as archbishop.

Ch, in some French words not yet assimilated, sounds like sh, as machine, chaise.

C, according to English orthography, never ends a word; therefore we write stick, block, which were originally, sticke, blocke. In such words c is now mute.

It is used before l and r, as clock, cross.

D

Is uniform in its sound, as death, diligent.

It is used before r, as draw, dross; and w as dwell.

F

F, though having a name beginning with a vowel, is numbered by the grammarians among the semivowels, yet has this quality of a mute, that it is commodiously sounded before a liquid, as flask, fry, freckle. It has an unvariable sound, except that of